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Netflix’s Grishaverse Adaptation Loses Its Footing Once the Second Season Arrives

Netflix's Shadow and Bone ran two seasons and 16 episodes before its 2023 cancellation. A review of the Grishaverse adaptation's cast, pacing, and The Crows.

By mitch·5 min read
A young woman stands before a swirling black barrier, her body glowing with light magic.

Netflix’s Shadow and Bone ran for two seasons and 16 episodes, and it went out the way most fantasy television goes out: not with a battle, but with a budget line. The show premiered on April 23, 2021, ran its second season from March 16, 2023, and was canceled in November 2023 despite growing fan support. What it left behind is a first season that mostly works and a second that mostly strains.

Trailer, via Netflix.

Alina Starkov and the Fold

The premise is a good one, and the show knows it. Ravka is split east to west by the Shadow Fold, a vast stretch of impenetrable darkness full of creatures. It was made centuries earlier by a Grisha called the Black Heretic. Alina Starkov, a cartographer in Ravka’s First Army, discovers in the first episode that she is a Grisha and the Sun Summoner — the one person who might destroy the Fold.

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Jessie Mei Li plays Alina. Archie Renaux plays Malyen “Mal” Oretsev. Ben Barnes plays General Kirigan, also called the Darkling, who leads Ravka’s Second Army and wants the Sun Summoner found.

The magic system is the show’s best invention. Grisha practice “The Small Science,” manipulating matter at the molecular level. They are sorted into three orders:

  • Etherealki: Summoners who control natural elements such as wind, water, and fire
  • Materialki: Fabricators who manipulate materials like metal and glass
  • Corporalki: Healers and Heartrenders who can manipulate the human body

That is a clean, legible system, and the show treats it as a system rather than a light show.

The Crows Carry the Load

Season one adapts Leigh Bardugo’s 2012 novel Shadow and Bone and bolts on an original storyline about the Crows, a criminal gang from Bardugo’s Six of Crows duology. That decision is the making of the first season. Freddy Carter plays Kaz Brekker, Amita Suman plays Inej Ghafa, and Kit Young plays Jesper Fahey. Their scenes have a different pulse than the main plot — faster, funnier, less reverent.

The problem is that the two halves never quite merge. Alina’s story is a chosen-one arc with a war behind it. The Crows’ story is a heist. One moves at the speed of destiny, the other at the speed of a con. The show cuts between them and hopes the contrast reads as range. Mostly it reads as two shows sharing a call sheet.

Ravka, Fjerda, and the Weight of the Map

The Grishaverse comprises Ravka, Fjerda, Shu Han, Kerch, Novyi Zem, and the Wandering Isle. Each nation draws on real-world language, culture, and tradition from different historical periods. Ravka is at war with the northern nation of Fjerda, and its western half wants independence. Ravka is also one of the few places Grisha can live without fear of persecution, which is why most of them are there, found as children by traveling Grisha testers and brought to train in the Second Army.

That is a lot of world, and the show is not shy about spending time on it. The world-building drew praise, and it earns some of it. The Fold is a genuine image — a wall of dark you can walk into and not walk out of. But the politics stay thin. We are told Ravka is torn; we rarely feel the tear.

What the Second Season Inherits

Season two adapts Siege and Storm (2013), Ruin and Rising (2014), and parts of Crooked Kingdom (2016). That is three books in eight episodes, and it shows. Nikolai Lantsov and Wylan Van Eck, both absent from season one, arrive here. Patrick Gibson plays Sturmhond / Nikolai Lantsov, and Jack Wolfe plays Wylan Hendricks. Lewis Tan, Anna Leong Brophy, and Jack Wolfe were added to the cast on January 13, 2022, with Daisy Head, Danielle Galligan, and Calahan Skogman promoted to series regulars.

Casting had begun back in April 2019, with auditions for Alina. On October 2, 2019, Netflix announced Jessie Mei Li in the lead, with Ben Barnes, Freddy Carter, Archie Renaux, Amita Suman, and Kit Young as key supporting actors. Sujaya Dasgupta, Danielle Galligan, Daisy Head, and Simon Sears were also in that round. A second round on December 18, 2019 brought in Calahan Skogman, Zoë Wanamaker, Kevin Eldon, Julian Kostov, Luke Pasqualino, Jasmine Blackborow, and Gabrielle Brooks. Bardugo herself was set for a cameo as a Materialki Durast in the third episode.

That is a deep bench, and the show uses it. Danielle Galligan’s Nina Zenik and Calahan Skogman’s Matthias Helvar are the second season’s most interesting thread, and they get the least room. Daisy Head’s Genya Safin, a Corporalki, spends the season being more interesting than the plot she is stuck inside.

Pacing Is the Whole Argument

The criticism aimed at Shadow and Bone was mostly about pacing, and that criticism is correct. Season one moves well enough until it doesn’t. Season two moves badly almost throughout. Characters arrive, announce themselves, and are absorbed into a plot that has no time to let them breathe. The Crows, who carried season one, get folded into the main storyline and lose the thing that made them work: distance from it.

The cast is not the problem. Li holds the center. Barnes is a good Darkling — handsome, patient, a little bored, which is exactly right for a man who has been alive too long. Carter, Suman, and Young remain the show’s best argument for itself. The writing is the problem, and the writing is a scheduling problem wearing a costume.

16 Episodes and a Cancellation

Two seasons, 16 episodes, first aired April 23, 2021, last aired March 16, 2023. Canceled November 2023. That is the whole ledger.

The show got generally positive reviews, praise for its world-building and cast, and criticism for its pacing. That split is honest. Shadow and Bone is a good adaptation of a book series that was never going to be easy to adapt, and it is a worse television show than it is an adaptation. It respects its source. It does not always serve it.

What matters here is not the cancellation — Netflix cancels fantasy shows the way rivers run downhill, and fan support was never going to outweigh whatever the numbers said. What matters is that the first season proved the Grishaverse could work on screen, and the second season proved the show did not know how to make it keep working. The Small Science is a strong idea. The Fold is a strong image. The Crows are a strong engine. Three strong parts, assembled into a machine that only ran clean for about eight episodes.

Worth watching for the first season and for the Crows. Worth stopping when the second season starts treating its own cast as inventory.

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