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Neighbors Review: Efron’s Breakout in a Solid Studio Comedy

Neighbors (2014) review: Seth Rogen and Zac Efron in a family-vs-frat comedy that grossed $270.7M on an $18M budget. 6.8/10.

By mitch·5 min read
A rowdy fraternity house glows with party lights while a quiet suburban home sits dark and still across the street.

Nicholas Stoller’s Neighbors arrived in 2014 with a simple pitch: a young couple with a newborn against a fraternity house next door. Universal Pictures released it on May 9, 2014, after a premiere at South by Southwest on March 8. It runs 97 minutes. Seth Rogen and Zac Efron star. The tagline says it all: “Family vs. Frat.” It is a comedy that knows exactly what it is, and for most of its runtime that is enough.

Trailer, via Universal Pictures.

Mac Radner and the Breaker Box

The setup is domestic and specific. Mac Radner (Rogen) and his Australian-born wife Kelly (Rose Byrne) are adjusting to life with their infant daughter, Stella. Parenthood has cut them off from their old friends, Jimmy Blevins (Ike Barinholtz) and his ex-wife, Paula (Carla Gallo). Then Delta Psi Beta moves in next door.

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The fraternity’s leaders are Teddy Sanders (Efron) and Pete Regazolli (Dave Franco). They want to join Delta Psi’s Hall of Fame by throwing a massive end-of-the-year party. That goal is the engine of the whole film.

Stoller stages the first contact as a negotiation. The Radners ask Teddy to keep the noise down. To earn their favor, he invites them to the party. Kelly meets Teddy’s girlfriend, Brooke Shy (Halston Sage). Teddy shows Mac his bedroom, which holds a stash of fireworks and a breaker box that controls the house’s power. Teddy agrees to manage the noise, but only if Mac and Kelly promise to always call him instead of the police.

That promise is the trap. The following night the party keeps Stella awake, and Mac cannot reach Teddy. Kelly talks Mac into calling the police anonymously. Officer Watkins identifies them to Teddy anyway. What follows is a hazing campaign, and it gets ugly: the fraternity dumps garbage on the Radners’ lawn, and Stella nearly eats an unused condom.

Three Strikes at Carol Gladstone’s Office

Mac and Kelly take the fight to the college dean, Carol Gladstone (Lisa Kudrow). The school has a “three strikes” policy before it will intervene. Delta Psi’s first strike was burning down their old house. That detail does more work than any joke in the second act. It tells you the fraternity has already survived worse than a noise complaint.

The Radners try to force the fraternity out by damaging the water pipes and ruining the house’s foundation. That fails. So Kelly manipulates Pete and Brooke into having sex, and Mac leads Teddy to catch them. Teddy and Pete fight. A barbecue grill injures a passing professor. That gives Delta Psi their second strike and puts them on probation.

It is a mean plan, and the film knows it. The best thing Neighbors does is refuse to make the Radners innocent. They lie, they scheme, they wreck property. The fraternity is louder, but the couple is not better.

Zac Efron’s Bedroom and the Cast Around It

Efron is the breakout here, and the praise aimed at him is earned. Teddy is not a villain. He is a guy with a Hall of Fame ambition and a house full of fireworks, and Efron plays him with enough charm that you understand why the Radners keep trying to negotiate instead of just calling the cops.

The supporting cast is deep:

  • Dave Franco as Pete Regazolli, Teddy’s second and the target of Kelly’s setup
  • Christopher Mintz-Plasse as Scoonie Schofield
  • Jerrod Carmichael as Garf
  • Craig Roberts as Assjuice
  • Carla Gallo as Paula Faldt

There are cameos too. Andy Samberg, Akiva Schaffer, Jorma Taccone, Adam DeVine, Blake Anderson, Anders Holm, Kyle Newacheck and Jake Johnson appear as historical members of Delta Psi Beta.

What the $270.7 Million Actually Means

The numbers are the part worth weighing. Neighbors grossed $270.7 million worldwide against an $18 million budget. It became Rogen’s highest-grossing live-action film. Metacritic sits at 68 out of 100.

That gap between cost and return is not an accident of marketing. Neighbors is cheap because it is contained. One street, two houses, a handful of set pieces. The budget stays on the screen as jokes rather than spectacle, and the fraternity house is a single location the film keeps returning to.

The sequel followed. Neighbors 2: Sorority Rising was released on May 20, 2016, with Stoller returning to direct and much of the cast reprising their roles. That is the clearest signal of what the first film got right: it built a premise sturdy enough to run again with a swapped antagonist.

Where Neighbors falls short is in the back half. The escalation from negotiation to pipe damage to sexual manipulation is logical, but it is also exhausting. The film keeps raising the stakes because it does not trust the quieter material — Mac and Kelly realizing they miss their old life — to hold. The condom gag and the professor injury are punchlines, not turns. They land, but they do not build.

The three-strikes structure is the sharpest invention in the script. It gives the couple a clock and a reason to keep escalating without making the dean a fool. Kudrow plays Gladstone straight, and the policy does the comedy for her.

Ranking the film’s assets, the order is clear:

  1. Efron’s Teddy, the rare antagonist who is funnier than the heroes
  2. The breaker box and fireworks, the best single location gag in the film
  3. Byrne’s Kelly, who gets the meanest plan and sells it
  4. Rogen’s Mac, reliable but the least surprising piece

Neighbors is a good comedy with a great premise and a star turn that outgrew the movie around it. It is not a great one, because it mistakes escalation for depth and because the third act spends more energy on logistics than on the marriage at its center.

The film premiered at South by Southwest on March 8, 2014. It was released by Universal Pictures on May 9 in the United States. It received generally positive reviews. All of that is fair. The praise aimed at Efron is the part that has aged best.

Neighbors earns its place as a solid studio comedy, not a landmark. 6.8 of 10.

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