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‘Rio 2’: Blu Flies Deeper Into the Amazon, and Nigel Flies Higher

A sequel that dares to grow bigger, dragging a blue bird into the Amazon jungle in search of his lost kind.

By mitch·4 min read
A blue macaw soars above the treetops of the Amazon, chasing a flock of distant birds.

“Rio 2” is a sequel that wants to be bigger than its predecessor, and mostly succeeds. The 2014 animated musical comedy takes Blu and Jewel out of Rio de Janeiro and into the Amazon rainforest, where the blue macaw family meets a flock of other Spix’s macaws and Blu’s father-in-law Eduardo. The film runs 101 minutes, and it moves fast enough to keep children engaged without ever reaching for the intelligence of its adult audience.

Trailer, via 20th Century Studios UK.

Blu Goes to the Amazon

Blu, voiced by Jesse Eisenberg, is still the anxious city bird who can’t seem to fly properly. He’s dragged to the Amazon by Jewel, voiced by Anne Hathaway, who believes their children need to see the wild. The three kids — Bia, Carla, and Tiago — are voiced by Rachel Crow, with Bruno Mars as Roberto, a friend of Blu’s father-in-law Eduardo. The setup is simple: Blu and Jewel leave Rio to find other blue macaws, while their old enemy Nigel, voiced by Jemaine Clement, follows to get revenge.

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The film opens three years after the events of the first “Rio,” and it picks up quickly. Blu’s owner Linda and her husband Túlio, voiced by Leslie Mann and Rodrigo Santoro, stumble upon a blue Spix’s macaw feather during an Amazon expedition. That discovery sets the whole plot in motion, and the film spends its first act building tension between the family’s desire to reconnect with their species and the danger of the illegal loggers led by Big Boss.

Nigel’s Revenge

Nigel is the clear villain of “Rio 2,” and he’s far more dangerous than the first film’s threat. He’s now flightless, which makes him more desperate. He teams up with Charlie, an anteater, and Gabi, a poison dart frog who loves him. The film treats his pursuit of Blu as a genuine threat, and the stakes feel higher than the original’s smuggling scheme.

The humor comes from Nigel’s jealousy and his inability to accept that Blu is Jewel’s mate. His scenes are the sharpest in the film, and Jemaine Clement’s delivery carries the menace and the wit. The film knows when to let him be cruel and when to let him be ridiculous, and that balance keeps him from becoming a one-note antagonist.

Eduardo and the Flock

The emotional core of “Rio 2” is Blu’s reunion with Eduardo, voiced by Andy Garcia. Eduardo is initially unimpressed with Blu, but he eventually thanks him for bringing Jewel home. The film spends time establishing Eduardo’s distrust of humans, who burned down his habitat through arson. This backstory gives the family’s search for the flock weight beyond mere adventure.

The film also introduces Eduardo’s paternal aunt Mimi and Blu’s childhood friend Roberto, giving the story a wider web of relationships. These additions don’t slow the pace; they deepen it. The family dynamic between Blu, Jewel, and their children is the heart of the movie, and the Amazon setting gives it room to breathe.

Music and Pace

“Rio 2” is a musical, and its songs are the weakest part of the package. The film leans heavily on pop numbers, with Bruno Mars contributing a track as himself. The music isn’t bad, but it doesn’t elevate the story the way the songs in the first “Rio” did. The film is at its best when it’s moving, and the slower, song-heavy stretches drag.

The animation is bright and detailed, with the Amazon rendered as a lush, vibrant backdrop. The film captures the scale of the rainforest better than most sequels manage, and the action sequences involving the loggers are tense and well-choreographed. The pacing holds together across the runtime, even when the plot slows to let the songs breathe.

“It’s on in the Amazon.”

A Mixed Verdict

“Rio 2” isn’t a great film, but it’s a competent one. It improves on the first “Rio” in several ways, most notably in its villains and its emotional stakes. Nigel is a stronger antagonist than the first film’s threat, and Eduardo’s distrust of humans adds a moral layer that the original lacked. The film also handles its family dynamics with care, showing Blu’s anxiety and Jewel’s determination without turning either into a caricature.

Where the film falters is in its music and its sense of adventure. The songs don’t land the way the first film’s did, and the Amazon setting, while beautiful, doesn’t always justify the trip away from Rio. The film is at its best when it’s focused on Blu, Jewel, and their children, and at its worst when it’s trying to be a full-scale musical spectacle.

“Rio 2” is a solid, if uneven, sequel. It respects its characters and builds on their arcs, even if it doesn’t fully escape the traps of formulaic sequels. The film is a worthy addition to the franchise, though it falls short of the heights reached by the original.

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