
White House Down Review: Roland Emmerich’s Siege Has No Conviction
White House Down review: Channing Tatum and Jamie Foxx in Roland Emmerich's 2013 siege thriller, a jokier rival to Olympus Has Fallen. Score: 5.2/10.

Every film we have scored, from 1980s horror to what is in cinemas now.

White House Down review: Channing Tatum and Jamie Foxx in Roland Emmerich's 2013 siege thriller, a jokier rival to Olympus Has Fallen. Score: 5.2/10.

Ridley Scott's Kingdom of Heaven (2005) pits Orlando Bloom's blacksmith against the Third Crusade. A serious drama trapped in a Hollywood epic.

Zack Snyder's Sucker Punch turns 15: Emily Browning, the missing fifth item, the casting what-ifs, and why the 2011 flop still has a cult following.

Paper Towns review: Nat Wolff and Cara Delevingne lead a moody teen mystery that never commits to its own sharp idea about loving an imagined person.

Upgrade (2018): Leigh Whannell's cyberpunk revenge thriller with Logan Marshall-Green, a STEM chip, and a $3M budget that returned $17M.

Airplane! at 45: how Zucker, Abrahams and Zucker cast serious actors like Leslie Nielsen and Robert Stack to make the 1980 deadpan comedy classic fly.

The third Fantastic Beasts film finally admits Dumbledore loves Grindelwald, but buries its best idea under blood troths, qilins and a messy retcon.

A review of Disney's 2001 animated adventure Atlantis: The Lost Empire, starring Michael J. Fox, with its Mignola design, lost language, and sunken script.

Oliver Stone's Platoon (1986), the first Vietnam War film written and directed by a veteran, still holds up at 9.2/10 — casting what-ifs and all.

Robert Eggers' Viking revenge epic The Northman, starring Alexander Skarsgård, retells the Amleth legend with a stacked cast and a 137-minute run.

A retrospective review of Meet the Fockers (2004), the $522.7M sequel that turned a family comedy into a franchise machine louder and emptier than the original.

M. Night Shyamalan's found-footage horror The Visit turns 11. A close look at Nana, Pop Pop, the camcorder, and why the twist still works.
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