Every film we have scored, from 1980s horror to what is in cinemas now.
A retrospective review of 2 Fast 2 Furious, John Singleton's 2003 sequel with Paul Walker and Tyrese Gibson — watchable, occasionally sharp, mostly forgettable.
Reviewing Everything Everywhere All at Once: Michelle Yeoh, Ke Huy Quan, and a story that turns endless parallel lives into one family's answer.
Wonder review: Chbosky's adaptation of R.J. Palacio's novel, with Jacob Tremblay as Auggie, Julia Roberts, Owen Wilson, and an Oscar-nominated makeup team.
Ari Aster's Midsommar review: Florence Pugh anchors a sunlit folk horror about grief, a Swedish commune, and a breakup that becomes a ceremony.
A review of The Bourne Supremacy (2004): Greengrass's handheld style, Damon's quiet killer, and the CIA frame that drags Bourne back in. Score: 7.3/10.
Fifty Shades Freed review: the final chapter's pregnancy twist, Jack Hyde, wasted cast, and a 3.1/10 score in James Foley's last film.
Tom Ford's Nocturnal Animals, reviewed: Amy Adams reads a manuscript, Michael Shannon steals the film, and the revenge story never quite earns its ending.
How the Grinch Stole Christmas (2000) review: Jim Carrey, Ron Howard, a $351M gross, an Oscar for makeup — and a film that shrinks Dr. Seuss's fable.
Sylvester Stallone's 2010 film The Expendables grossed $274 million but scored just 4.5/10 — a look at the cast, plot, and the gap between money and merit.
Ben Stiller's The Secret Life of Walter Mitty tells you to stop dreaming and start living — but its daydreams are the best part. Our review scores it 5.4/10.
A review of The Butterfly Effect (2004), the Ashton Kutcher time-travel thriller that squanders a clever premise on cheap shock and cruelty. 3.0/10.
Constantine review: Francis Lawrence's demonic debut wastes Keanu Reeves but Tilda Swinton and Peter Stormare steal the show. 5/10.
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