
Viola Davis Deserves Better Than the Movie That Made Her a Star
A review of Tate Taylor's 2011 drama The Help, starring Viola Davis and Octavia Spencer, set in Jackson, Mississippi, 1963.

Every film we have scored, from 1980s horror to what is in cinemas now.

A review of Tate Taylor's 2011 drama The Help, starring Viola Davis and Octavia Spencer, set in Jackson, Mississippi, 1963.

Dallas Buyers Club review: McConaughey and Leto anchor a raw, unsentimental AIDS drama about a Texas cowboy who fought the FDA.

Ford v Ferrari review: Matt Damon and Christian Bale play Carroll Shelby and Ken Miles racing to beat Ferrari at Le Mans in James Mangold's 2019 drama.

Hotel Transylvania review: Genndy Tartakovsky's 2012 monster comedy wastes a stacked cast and a smart 2D-in-CGI idea on a safe, flat script.

A review of Coppola's Apocalypse Now: Willard's river journey to Colonel Kurtz, the Kilgore air assault, and a production that nearly broke everyone.

Mission: Impossible – Fallout review: Tom Cruise's Ethan Hunt faces his hardest choice yet in a 147-minute spy thriller that trades spectacle for morality.

Terry Gilliam's Twelve Monkeys sends Bruce Willis through time to stop a virus. A review of the 1995 sci-fi thriller with Brad Pitt and Madeleine Stowe.

The Twilight Saga: Eclipse review — David Slade's 2010 sequel grossed $699 million but buried its best story under a love triangle, earning 5.8/10.

Source Code review: Duncan Jones sends Jake Gyllenhaal back into eight minutes on a Chicago train to stop a bombing. A tight 93-minute puzzle box.

A review of The Conjuring 2: James Wan sends the Warrens to Enfield, where a real haunting case gets traded for a franchise demon.

Eternals review: Chloé Zhao's 156-minute Marvel epic scores 5.2/10 — ten heroes, a Celestial twist, and a franchise ceiling.

Breaking Dawn Part 1 review: a wedding, a honeymoon, a pregnancy that shouldn't be possible — and 117 minutes of setup with no third act.
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