
The Purge Prequel Trades Scares for Backstory, and the Series Suffers
Review of The First Purge (2018): the prequel that explains the Purge's origins but loses the franchise's pulp energy and political bite.

Every film we have scored, from 1980s horror to what is in cinemas now.

Review of The First Purge (2018): the prequel that explains the Purge's origins but loses the franchise's pulp energy and political bite.

Mad Max 2 (The Road Warrior) review: George Miller's 1981 sequel, Mel Gibson, Lord Humungus, and the tanker run that defined action cinema.

Ben Affleck's first film as director sends two private eyes into Dorchester to find a missing four-year-old, and never settles for the easy answer.
Avatar: Fire and Ash review: Cameron's 198-minute sequel adds the Mangkwan clan and Oona Chaplin's Varang, but scales past its emotional core. 6.1/10.

DreamWorks' Home (2015) put Jim Parsons and Rihanna in a flying car. A mixed review of the Boov invasion, its $386M gross, and the Netflix spin-off.

A review of The Vow (2012), the Rachel McAdams and Channing Tatum amnesia romance that became the eighth highest-grossing romantic drama since 1980.

Bad Moms review: Mila Kunis, Kristen Bell and Kathryn Hahn lead a sharp premise and uneven script. 100 minutes, $183M worldwide, Metacritic 60.

A spoiler-filled review of The Edge of Seventeen, Kelly Fremon Craig's 2016 debut film starring Hailee Steinfeld as a grieving, furious 17-year-old.

Scorsese's Killers of the Flower Moon review: DiCaprio, De Niro and Lily Gladstone in a 206-minute Osage murder epic. 8.9 of 10.

Phone Booth review: Colin Farrell, Kiefer Sutherland and Forest Whitaker in Joel Schumacher's tense 81-minute 2003 Times Square thriller.

A Walk to Remember (2002) review: Mandy Moore shines in a formulaic Nicholas Sparks tearjerker that trades the novel's 1950s setting for nothing.

Rambo: Last Blood review — Stallone's fifth outing sends John Rambo to Mexico on a failed rescue mission, with graphic violence and a thin $91.5M return.
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