Every film we have scored, from 1980s horror to what is in cinemas now.
Alex Garland's Civil War follows journalists through a fractured America. Our review weighs the camera-as-weapon idea against a slow middle and a blank president.
Breakfast at Tiffany's (1961): Audrey Hepburn, Blake Edwards, Capote's novella, Moon River, and why the film is really about money.
The Killing of a Sacred Deer review: Yorgos Lanthimos' 2017 Cannes-winning thriller with Colin Farrell, Nicole Kidman and Barry Keoghan.
Penguins of Madagascar cost $132M, grossed $374M, and still lost money. A review of DreamWorks' spin-off, its villain, and the studio it closed.
A close reading of Hitchcock's The Birds: unexplained attacks, Tippi Hedren's debut, the 1964 Oscar loss, and why the film's refusal to explain still works.
Neil Marshall's 2005 horror film The Descent traps six women in an uncharted cave system, where the Crawlers finish what the rockfall started.
A review of The Book Thief (2013): strong cast, John Williams score, but 131 minutes of respectable scenes that never add up. 5.3 of 10.
Love and Monsters review: Dylan O'Brien fights giant mutant creatures to reunite with his girlfriend in a charming but forgettable apocalyptic love story.
How to Lose a Guy in 10 Days review: Kate Hudson and Matthew McConaughey shine in a hit that never earns its premise. 4.5/10.
A review of Clint Eastwood's Changeling (2008), with Angelina Jolie as Christine Collins, the Wineville case, and the LAPD psychiatric ward.
Sergio Leone's 1965 Western pairs Clint Eastwood with Lee Van Cleef against Gian Maria Volonté's haunted bandit El Indio, and a musical pocket watch.
Wrath of the Titans (2012) review: Sam Worthington returns as Perseus in a loud sequel with two good Liam Neeson and Ralph Fiennes scenes. Score: 3.7/10.
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