Every film we have scored, from 1980s horror to what is in cinemas now.
A review of Edward Berger's All Quiet on the Western Front (2022), covering Paul Bäumer, the armistice subplot, awards, and its fidelity to Remarque.
A teacher, a student, and a descent into darkness: a kidnapping tale told with uneasy wit.
A ruined pumpkin patch summons a beast from the woods in this Halloween adventure starring Shaun the Sheep.
The Mummy: Tomb of the Dragon Emperor review — Jet Li and Michelle Yeoh are wasted in the trilogy's worst film, a 2008 China-set detour.
A review of 2007's The Golden Compass: Nicole Kidman, armored bears, and a $180 million budget that never makes you feel the cold.
Three hours, two performances, one Palme d'Or: a review of Abdellatif Kechiche's Blue Is the Warmest Color and why its center holds while its edges sag.
Hush, Mike Flanagan's 2016 home-invasion thriller starring Kate Siegel as a deaf author, reviewed: a lean, disciplined 82-minute siege that earns its runtime.
Baz Luhrmann's 2001 jukebox musical Moulin Rouge! reviewed: Nicole Kidman and Ewan McGregor, two Oscars, and a maximalism that buries the love story.
Matilda (1996) review: Mara Wilson, Pam Ferris, and Danny DeVito's Roald Dahl adaptation, ranked by what works and what doesn't.
A wrong-man thriller that never cheats: how The Fugitive turned procedure into personality, won Tommy Lee Jones an Oscar, and grossed $368 million.
Being John Malkovich, Spike Jonze and Charlie Kaufman's 1999 debut, still startles: a portal into a famous man's head and three Oscar nods.
Pitch Black review: Vin Diesel's 2000 sci-fi horror has a great premise and a wasted eclipse, but Riddick's eyes launched a franchise anyway.
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