
Car Seat Headrest’s ‘1’ Is a Rock Opera Disguised as a Bedroom Record
A rock opera disguised as a bedroom record, Car Seat Headrest's 1 balances intimacy and ambition across sixteen tracks.


A rock opera disguised as a bedroom record, Car Seat Headrest's 1 balances intimacy and ambition across sixteen tracks.

A record of two instruments, no singer, no bass, no filler — a steady, heavy, and atmospheric journey through seven tracks.

Migos & Migos pile twenty-three tracks of heavy bass and layered ad-libs into Back to the Bando, Vol. 2 — a strong, consistent record.

St. Vincent's self-produced seventh album is her rawest, darkest, and most hopeful yet. A review of All Born Screaming.

Mannequin Pussy's I Got Heaven fuses hardcore punk rage with power-pop hooks for their most precise, brutal record yet.

English Teacher's debut This Could Be Texas is a restless, ambitious post-punk record that mostly delivers on its big ideas.

A tale of a heart's secret told in thirteen parts, wherein Abrams' voice grows bolder, wounded, and unguarded.
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