
KAROL G’s ‘Tropicoqueta’ Celebrates Latin Music’s Past Without Trying To Reinvent It
A record of twenty songs, each a tribute unto a rhythm of old, wherein Karol G honors the past without dressing it anew.


A record of twenty songs, each a tribute unto a rhythm of old, wherein Karol G honors the past without dressing it anew.

A solemn record of confession and dread, wherein the son of Spergy wrestles with the sins that begat him.

A weary man sings of fathers, faith, and the burden of being a son, in an album of quiet confession and uneasy calm.

A record of feeling too much and wanting to feel less, a diary of desire, disappointment, and the slow unraveling of trust.

A sprawling, thirty-one-track statement of intent that tries to do too much at once, failing to cohere.

A record of jests and hollow mirth, wherein a man assumes a mask of mockery and never lets it fall.

Childish Gambino's Atavista balances slow, heavy tracks with brief sketches, earning an 8/10 score for its ambition.

A record of desire, possession, and the dance of wanting to be wanted — Kali Uchis answers a question across fourteen tracks.

A review of Kali Uchis' Red Moon in Venus, weighing its intimate, genre-shifting songs against their occasional filler.

A look back at Frank Ocean's 2012 masterpiece channel ORANGE, a mood-shifting album of love, loss, and genre-bending genius.
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