
Landing on Water: Neil Young’s Machines Cover the Writing
A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.


A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.

Neil Young's Freedom opens soft and ends loud with Rockin' in the Free World, a record that holds every side of his sound together.

A look back at Pink Floyd's The Wall, a sad tale of a man's solitude, wall raised stone upon stone through spirit and sound.

A voice made distant by machines: Neil Young's Trans weighs feeling against synthesizer and voice box, a strange record time has judged kindly.

A single day in Compton becomes a full story across fifteen tracks, a good kid moving through a mad city without losing the fire.

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The Bouncing Souls return to quick, short songs on their new record, a swift turn back to what once made them work.

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Pink Floyd's 1987 record, made without its former chief writer, depends on guitar and mood. A track by track look at what still works.

A record split in two: quiet old songs on one side, quick country songs on the other. Nine tracks, thirty minutes, no true settling.

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