
David Bowie’s ‘Hours…’ Trades Drama for Comfort — and Mostly Succeeds
A review of David Bowie's 1999 album Hours..., weighing its strengths against its retreat from daring creativity.


A review of David Bowie's 1999 album Hours..., weighing its strengths against its retreat from daring creativity.

A review of David Bowie's comeback album The Next Day, weighing its highs against its weaker middle tracks.

A review of David Bowie's 1997 album Earthling, a strange, ambitious record about sound, identity, and fear.

A look back at David Bowie's 2011 'Toy,' a curious collection of early Sixties originals, now reviewed anew.

A review of David Bowie's 1983 pop crossover effort Let's Dance, ranked track by track.

A review of David Bowie's 1976 album Station to Station, bridging glam rock and the Berlin Trilogy.

A review of David Bowie's Aladdin Sane, a record of fame, paranoia, and the United States, scored 8/10.

A look back at David Bowie's self-titled 1967 debut, a promising but uneven record pointing toward greatness.

A dark, heavy record of a man selling his soul for fame, wherein the title track alone justifies the whole undertaking.

A farewell record dressed as an experiment: David Bowie's final studio album balances ambition and unevenness.
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