
Die Another Day Review: Cool, Not Coherent
A review of Die Another Day, Pierce Brosnan's final outing as 007, a costly spectacle with a hollow tale.


A review of Die Another Day, Pierce Brosnan's final outing as 007, a costly spectacle with a hollow tale.

Todd Haynes' Carol, shot on Super 16 by Edward Lachman, turns a glove left on a counter into a 1952 love story about custody, cost and restraint.

Roma review: Alfonso Cuarón's 135-minute Venice Golden Lion winner, its Corpus Christi massacre scene, 10 Oscar nominations and Metacritic 96.

Joseph Gordon-Levitt plays a 27-year-old journalist with a spinal tumor in 50/50, a cancer comedy-drama based on Will Reiser's own diagnosis.

A review of Santa Fe Trail, a 1940 film set in Kansas during Bleeding Kansas and the Civil War, found wanting.

A tale of four Bengali gentlemen and their ill-fated sojourn into the Palamu woods, where vanity and desire meet their ruin.

Woody Allen's Match Point (2005) sends a retired tennis pro into London's class system, where lust, money and a shotgun decide everything.

Hitchcock's North by Northwest turns a mistaken identity into 137 minutes of pure chase — Cary Grant, a crop duster, and the spy who never existed.

A documentary pairs Black and Jewish leaders for talks on their troubled history, seeking repair through honest dialogue.

Three hours, two performances, one Palme d'Or: a review of Abdellatif Kechiche's Blue Is the Warmest Color and why its center holds while its edges sag.

Tom Tykwer's 2006 Perfume adaptation is cold, exact and beautifully made but often slow. Ben Whishaw shines; Dustin Hoffman feels out of place.

A review of Lemony Snicket's A Series of Unfortunate Events (2004), Brad Silberling's Jim Carrey film, plus its six-hub-area video game adaptation.
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