
Death catches up with a franchise that never needed a villain
Final Destination (2000): Alex Browning's plane premonition, Death's design, Devon Sawa and Ali Larter, and the $112.9M box office legacy.


Final Destination (2000): Alex Browning's plane premonition, Death's design, Devon Sawa and Ali Larter, and the $112.9M box office legacy.

It Follows review: Mitchell's 2014 horror classic, its $1.3M budget and $23.3M gross, Maika Monroe, the walking entity, and the They Follow sequel

The Nun review: a $22M Conjuring spin-off that grossed $366M, but met with a 46 Metacritic score and a 4.6 rating despite Taissa Farmiga's presence.

Alejandro Amenábar's The Others (2001) with Nicole Kidman: a light-shy mother, a dark house on Jersey, and a twist that still holds up. 7.6/10.

Insidious review: James Wan's 2011 haunted-house hit has a strong first hour, then trades dread for exposition. Lin Shaye shines. Score: 5.2/10.

Fede Álvarez trades gore for dread in Don't Breathe, a 2016 thriller with Stephen Lang as a blind Gulf War veteran guarding a dark Detroit house.

A review of The Cabin in the Woods: five students, a cellar full of monsters, and the lab that runs the whole ritual. Score 7.2/10.

Ari Aster's Hereditary turns a family's grief into horror, with Toni Collette anchoring a film that made $90M on a $10M budget.

A24 is adapting the SCP Foundation's online horror wiki, but the foundation denies ever licensing its material.

A review of The Conjuring 2: James Wan sends the Warrens to Enfield, where a real haunting case gets traded for a franchise demon.

Saw (2004): two men chained in a bathroom, a 6:00 deadline, and a hacksaw twist. How Wan and Whannell's debut became a franchise.

Review of James Wan's The Conjuring (2013) with Vera Farmiga and Patrick Wilson: a strong restrained first half, a weaker final act.
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