
Busan Film Festival’s New Oscars Pathway and Competition Section Are Paying Off
BIFF's Jung Hanseok talks the Oscars pathway, the new competition section, and Korean cinema's recovery at this year's festival.


BIFF's Jung Hanseok talks the Oscars pathway, the new competition section, and Korean cinema's recovery at this year's festival.

A mother and her daughters make a journey to Gyeongju, carrying a secret in the trunk of their van, in this film of grief and family.

A slow-burn thriller of young love, suspicion, and the violence beneath a polite surface. Review of Burning.

A tale of a man who becomes a monster to avenge his beloved, wherein vengeance and madness reign.

Park Chan-wook's The Handmaiden turns a 1930s Korean con story into a shifting-vantage romance. A review of the twists, the cast and why it still holds up.

A deep dive into Bong Joon Ho's 2003 crime thriller Memories of Murder, its real-life Hwaseong case, false confessions, and the ending that never closes.

Netflix's Creative Asia programme at BIFF brings Kim Ji-yong, Han Jun-hee and Kimball Thurston for panels on AI, location storytelling and new filmmaking.

Busan names jury members for Mecenat, Sonje, Netpac, Fipresci awards at its 31st film festival.

Oldboy at 20: Park Chan-wook's revenge thriller, the corridor fight, Choi Min-sik, Cannes 2004, and why the ending still lands.

Lee Chang-dong's films head to Netflix worldwide after 'Possible Love' wins Venice's Silver Lion. A full catalog rollout begins.

Netflix adds Lee Chang-dong's past films to its global library following his Venice win for Possible Love.

A father and daughter struggle for life upon a train full of the sick, in a tale of horror, haste, and feeling.
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