
Robin Williams’s Genie Carries Aladdin, and the Movie Knows It
Aladdin (1992) review: Robin Williams' Genie, Alan Menken's songs, and a promise that outshines the wish-fulfillment. Score: 7.7 of 10.


Aladdin (1992) review: Robin Williams' Genie, Alan Menken's songs, and a promise that outshines the wish-fulfillment. Score: 7.7 of 10.

Take a look at the 2008 action thriller Taken, its iconic phone call scene, Liam Neeson's performance, and how it launched a franchise.

Andrew Niccol's In Time has a brilliant sci-fi premise — time as currency — but wastes it on a chase movie. Review: 3.6/10.

A review of Matt Reeves' The Batman (2022): Pattinson's insomniac year-two Bruce Wayne, Paul Dano's paperwork Riddler, and a 177-minute detective story.

Michael Bay's 2007 Transformers filters an alien robot war through teenager Sam Witwicky — a big, uneven blockbuster that still finds its heart.

Cast Away review: Tom Hanks carries a good movie that keeps tripping over its own frame, from the island years to the Memphis ending.

Fifty Shades of Grey (2015) review: Sam Taylor-Johnson's adaptation is a 125-minute drama about a contract that never says what you're signing.

Home Alone review: Chris Columbus and John Hughes built a two-idea comedy that still works, from Kevin's empty house to the Wet Bandits' traps.

A spoiler-light look at Silver Linings Playbook: plot, cast, awards and why David O. Russell's 2012 romance still holds up.

Pixar's Finding Dory gave the forgetful blue tang her own film. A review of the 2016 sequel, its story, cast, score and what it gets right.

A deep dive into American History X (1998): Tony Kaye's contested cut, Edward Norton's transformation, and the film's famous flaw.

A Toronto premiere review of All That She Wants, wherein Annie Murphy and Cooper Raiff meet most intimately in a bed, and the tale is most delightful.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.