
Hailee Steinfeld’s teen misfit comedy still lands its punches a decade on
A spoiler-filled review of The Edge of Seventeen, Kelly Fremon Craig's 2016 debut film starring Hailee Steinfeld as a grieving, furious 17-year-old.


A spoiler-filled review of The Edge of Seventeen, Kelly Fremon Craig's 2016 debut film starring Hailee Steinfeld as a grieving, furious 17-year-old.

Scorsese's Killers of the Flower Moon review: DiCaprio, De Niro and Lily Gladstone in a 206-minute Osage murder epic. 8.9 of 10.

Rambo: Last Blood review — Stallone's fifth outing sends John Rambo to Mexico on a failed rescue mission, with graphic violence and a thin $91.5M return.

Michael biopic review: a $155-200M film with a great Jaafar Jackson performance but no point of view, sanitized by reshoots. 3.9/10.

Resident Evil: Afterlife review — Anderson's first 3D entry strips Alice of her powers, adds Chris Redfield, and settles for corridors. Score: 6.1/10.

Woody Allen's 1977 romantic comedy Annie Hall, starring Diane Keaton, won four Oscars and four BAFTAs. A review of why the 93-minute film still endures.

Joy review: Jennifer Lawrence won a Golden Globe as mop inventor Joy Mangano, but David O. Russell's 2015 drama drags. A 5.6 of 10.

Kenneth Branagh returns as Hercule Poirot in Death on the Nile, a handsome but thin 2022 mystery that spends too long assembling its pieces.

R.J. Cutler's If I Stay gives Chloë Grace Moretz a coma, a cello and a choice — then spends 106 minutes avoiding the decision. Review: 4.6 of 10.

Yesterday review: Danny Boyle's Beatles fantasy wastes Himesh Patel's talent on a romance that never commits. Score: 5.5 of 10.

Searching (2018), Aneesh Chaganty's desktop thriller with John Cho, reviewed: a missing daughter, a laptop, and a gimmick that earns its keep.

Akira Kurosawa's Seven Samurai (1954) turns 207 minutes into one of cinema's greatest films, with Toshiro Mifune and Takashi Shimura leading the charge.
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