
Brandon Lee’s Death Hangs Over Every Frame of The Crow, 32 Years On
A review of The Crow (1994): Brandon Lee's final performance, the Devil's Night revenge story, its box office legacy, and why the sequels never landed.


A review of The Crow (1994): Brandon Lee's final performance, the Devil's Night revenge story, its box office legacy, and why the sequels never landed.

Demon Slayer: Mugen Train turns a moving carriage into a trap. A focused, well-made sequel that pays off Rengoku but assumes you already know the story.

Don Jon review: Joseph Gordon-Levitt's 2013 directorial debut about a porn-addicted bartender, with Scarlett Johansson and Julianne Moore.

Elf review: Will Ferrell's 2003 Christmas comedy, directed by Jon Favreau, is a very good star vehicle with a thin script. Score: 6.6/10.

Naoko Yamada's A Silent Voice refuses to soften its brutal opening, which is what makes the film's long walk toward forgiveness land.

Perfect Strangers (2016): seven friends share every phone message at dinner. Plot, cast, the twist ending, and the film's 24-language remake record.

The Other Guys review: Ferrell and Wahlberg play NY's least heroic cops in McKay's 2010 buddy comedy, the only Ferrell-McKay film Ferrell didn't write.

Blow (2001), directed by Ted Demme and starring Johnny Depp as drug trafficker George Jung, is a glossy rise-and-fall crime drama that never stages the fall.

Ridley Scott's Robin Hood is a 140-minute origin story that never lets Robin be an outlaw, with Russell Crowe and a muddled political plot.

21 turns the MIT Blackjack Team's real story into a Vegas heist drama that invents more than it counts, and the casting fight outlasted the film.

Review of Netflix's The Adam Project, starring Ryan Reynolds and Walker Scobell in a time-travel adventure that's watchable but forgettable.

La Haine review: Kassovitz's 1995 Cannes winner follows Vinz, Hubert and Saïd through twenty hours in a Paris banlieue. Still essential.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.