
Elemental Review: Pixar’s Fire-and-Water Romance Never Quite Catches
Pixar's Elemental spends seven years and $200 million on a fire-and-water romance that never ignites. Our review scores it 5.8 of 10.


Pixar's Elemental spends seven years and $200 million on a fire-and-water romance that never ignites. Our review scores it 5.8 of 10.

Wes Anderson's stop-motion Isle of Dogs sends exiled dogs to Trash Island. Review of the 101-minute film, its voice cast, and its 82/100 Metacritic score.

David Fincher's Panic Room (2002), reviewed: Jodie Foster, Kristen Stewart, a $48 million siege, and a house that steals the movie.

Ferris Bueller's Day Off: John Hughes wrote it in a week, and the 1986 Chicago comedy still runs perfectly. A review of the film's craft, cast, and legacy.

Uncut Gems: Adam Sandler's career-best turn as a Diamond District jeweler who can't stop betting, in the Safdie brothers' relentless crime thriller.

Paranormal Activity: Oren Peli's $15,000 found-footage horror that became the most profitable film ever made, reviewed at 6.8 of 10.

Ang Lee's Gemini Man is a 1997 script wearing 2019 technology: Will Smith de-aged, 120fps, and a cloning premise that never finds its story.

Elizabeth Banks' directorial debut took the Bellas global with Das Sound Machine — a bigger, louder sequel that traded specificity for scale.

A review of Collateral Beauty: Will Smith's grieving ad exec, a gaslighting scheme, and a script that never earns its tears. Score: 2.3 of 10.

Cowboys & Aliens (2011): Daniel Craig and Harrison Ford in a $163M space Western that squanders its cast, its premise, and its own best scenes.

Bridget Jones's Diary review: Renée Zellweger's Oscar-nominated turn anchors a 2001 romantic comedy that made $282 million and still holds up.

Darkest Hour review: Gary Oldman as Churchill in May 1940, weighing whether to talk to Hitler. A strong historical drama with a great lead performance.
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