
Ghost in the Shell (2017): A Fine-Looking Shell With No Ghost Inside
Ghost in the Shell (2017): Scarlett Johansson, Rupert Sanders, the whitewashing fight, and why the live-action remake got the surface right and the soul wrong.


Ghost in the Shell (2017): Scarlett Johansson, Rupert Sanders, the whitewashing fight, and why the live-action remake got the surface right and the soul wrong.

Quantum of Solace review: Daniel Craig returns as Bond in a 106-minute sprint that mistakes speed for stakes, wastes Olga Kurylenko and a weak villain.

Netflix's 2018 teen rom-com To All the Boys I've Loved Before, reviewed: Lana Condor and Noah Centineo carry a fake-dating contract that works.

Guardians of the Galaxy Vol. 3 review: James Gunn's 150-minute farewell earns its grief with Rocket's origin, but the goodbye tour around it runs thin.

A review of The Cabin in the Woods: five students, a cellar full of monsters, and the lab that runs the whole ritual. Score 7.2/10.

Armageddon review: Michael Bay's 1998 asteroid blockbuster made $553.7M and became Touchstone's biggest hit, but 151 minutes of noise buries a good premise.

Edgar Wright's Scott Pilgrim vs the World turns Toronto into a video game level and asks Michael Cera to fight seven exes, in a stylish but uneven 2010 film

Ari Aster's Hereditary turns a family's grief into horror, with Toni Collette anchoring a film that made $90M on a $10M budget.

Bad Boys for Life review: Will Smith and Martin Lawrence return as Miami detectives 17 years later, in a competent sequel that never feels necessary.

Thor: Love and Thunder review: Christian Bale and Natalie Portman shine, but Taika Waititi's jokes bury the grief. A 5.7/10 Marvel misfire.

A review of Steven Spielberg's The Terminal (2004), starring Tom Hanks as stranded traveler Viktor Navorski at JFK. Well-acted but weightless. 5.5/10.

Tom McCarthy's 2015 drama Spotlight follows the Boston Globe team that exposed Catholic Church abuse — a 9.3/10 review of the Best Picture winner.
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