
Sabrina Carpenter’s Singular: Act I Closes Its Own Story With Diamonds Are Forever
A pop record of urgency and desire, eight tracks that refuse to play it safe, each song earning its place.


A pop record of urgency and desire, eight tracks that refuse to play it safe, each song earning its place.

A review of Lizzo's debut album Lizzobangers, a rap record of jokes, politics, and sheer force of personality.

Combat Rock is the Clash's odd, confident commercial breakthrough — a tense mix of radio hits, jagged experiments, and political fury that still rocks.

Prince's 1996 triple album Emancipation is a sprawling, uneven 36-track statement of creative freedom — messy, excessive, and occasionally transcendent. Our review.

A review of the Beach Boys' 1980 album 'Keepin' the Summer Alive' — a polished but hollow nostalgia trip that fails to capture their former vitality.

A hush-to-shout journey through Eilish's third record, where quiet moments carry as much weight as the swells that follow them.

A brief record of desire wrought in five songs, wherein Polachek's art doth swell beyond its modest length into rare and singular grandeur.
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