
Young Bites the Sponsors’ Hand: ‘This Note’s for You’ and Its Anti-Advertising Snarl, 38 Years On
A grim tale of Neil Young's 1988 Bluenotes record, its banned title song, and the guitar that saves it from excess brass.


A grim tale of Neil Young's 1988 Bluenotes record, its banned title song, and the guitar that saves it from excess brass.

Neil Young turns country on Old Ways, ten plain tracks of steel guitar and sentiment, with four songs worth keeping.

A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.

Neil Young's Freedom opens soft and ends loud with Rockin' in the Free World, a record that holds every side of his sound together.

A voice made distant by machines: Neil Young's Trans weighs feeling against synthesizer and voice box, a strange record time has judged kindly.

A record split in two: quiet old songs on one side, quick country songs on the other. Nine tracks, thirty minutes, no true settling.

A forceful record: Neil Young and Crazy Horse chase noise and repetition on Re·ac·tor, a small, rough turn in a long career.

A review of Neil Young's American Stars 'n Bars, a mixture of country tunes and wandering guitar pieces that never quite agree.

A grim chronicle of Zuma, wherein Young and Crazy Horse cast off their former melancholy for a fiercer, nobler tumult of sound.

A grim wake of a record: Neil Young's Tonight's the Night, ten songs of uneasy grief, opened and closed by the same tune.

A grim, deliberate turn from Neil Young: a record of ruin and quiet accusation, never once eased for the listener.

A record of quiet guitar, piano, and fierce song, wherein a man moves through every voice within his soul, a grand and lasting work.
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