
Ragged Glory: Loud, Loose and Better for It
A record of steady guitar and long repetition, wild and loud, wherein a band lets each song run as long as it will.


A record of steady guitar and long repetition, wild and loud, wherein a band lets each song run as long as it will.

Neil Young brings back Crazy Horse for a record that reaches for a loud old sound but finds the studio working against it.

A grim tale of Neil Young's 1988 Bluenotes record, its banned title song, and the guitar that saves it from excess brass.

Neil Young turns country on Old Ways, ten plain tracks of steel guitar and sentiment, with four songs worth keeping.

A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.

Neil Young's Freedom opens soft and ends loud with Rockin' in the Free World, a record that holds every side of his sound together.

A voice made distant by machines: Neil Young's Trans weighs feeling against synthesizer and voice box, a strange record time has judged kindly.

A record split in two: quiet old songs on one side, quick country songs on the other. Nine tracks, thirty minutes, no true settling.

A forceful record: Neil Young and Crazy Horse chase noise and repetition on Re·ac·tor, a small, rough turn in a long career.

A review of Neil Young's American Stars 'n Bars, a mixture of country tunes and wandering guitar pieces that never quite agree.
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