
‘Talk That Talk’: Rihanna Trades Subtlety for Confidence
A look back at Rihanna's Talk That Talk, a confident, mixed-bag pop album from 2011.


A look back at Rihanna's Talk That Talk, a confident, mixed-bag pop album from 2011.

A review of Beyoncé's I Am... Sasha Fierce, a record that splits itself into two people but fails to bring them together.

A review of Beyoncé's 4, an album built on control, with standout tracks and a trio of club remixes.

Prince's 1992 album [Love Symbol] showcases his band's brilliance but is weighed down by a convoluted concept and filler tracks. A flawed masterpiece.

Prince's 1999 comeback album Rave Un2 the Joy Fantastic is a stiff, overproduced affair that fails to recapture his magic. Our review explains why.

Stevie Wonder's 1985 pop album In Square Circle is a polished, minor work from a major artist — with the standout ballad 'Overjoyed' and a few solid grooves.

The Beatles drop a 6-minute, 3-track provocation that mixes pop hooks, noise and glitch — a deliberate prank that rocks and dares you to argue about it.

A record of twelve songs and thirty-eight minutes wherein a lady of song grows bolder, and each jest becomes a melody unto itself.

Katy Perry's sixth record, one hundred and forty three, appears a most dull effort, void of that spirit which erst distinguished her art.

A tale of a heart's secret told in thirteen parts, wherein Abrams' voice grows bolder, wounded, and unguarded.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.