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Wacky Races Review: A Silly, Fast-Paced Comedy About People in Absurd Machines

A look back at Hanna-Barbera's Wacky Races, the 1968 animated road rally comedy with 11 absurd racers.

By mitch·6 min read
Eleven absurd cartoon racers compete in a chaotic road rally across North America.

Wacky Races ran for one season on CBS in 1968, a Saturday-morning animated comedy about 11 racers and their outlandish vehicles. The show was created by Joseph Barbera and William Hanna. It ran for 34 episodes, first airing on September 14, 1968, and last airing on January 4, 1969. It then ran in syndication from 1976 to 1982.

The premise is simple. Eleven racers compete in a madcap road rally across North America, chasing the title of the World’s Wackiest Racer. The show is a parody of traditional car races, full of eccentric characters and vehicles that would not survive a real road test. It is pure family comedy, aimed at kids with a dash of adult humor thrown in for the parents watching alongside.

The Racers and Their Machines

The series centers on 11 racers, each with their own vehicle and distinct personality. The standout pairing is Dick Dastardly and his dog Muttley, who are always trying to cheat and sabotage the other competitors, though they never succeed. Their schemes are elaborate and always fall apart at the worst possible moment.

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Other notable racers include Penelope Pitstop, the glamorous but tough driver who pilots the Compact Pussycat; Red Max, the adventurous aviator who speaks with a German accent and drives the Crimson Haybaler; and the Slag Brothers, the lovable duo who drive a massive, rock-like car called the Boulder Mobile.

The Slag Brothers are two cavemen named Rock and Gravel, whose car is made entirely of rock. They power it up by hitting it on both sides with their clubs and can rebuild it from bare rock whenever it falls apart. They speak in gibberish, with occasional intelligible words, and their long body hair covers everything except their noses, arms, and legs.

The Gruesome Twosome are Tiny “Big Gruesome” and Bela “Little Gruesome,” monsters who drive the Creepy Coupe. Their horror-themed car includes a small bell tower inhabited by a fire-breathing dragon, bats, ghosts, and other creatures. The Creepy Coupe’s special booster is “dragon power,” with the dragon acting as a RATO unit.

Professor Pat Pending is an inventor who drives the Convert-a-Car, which can transform into pretty much anything that moves. The Red Max, voiced by Daws Butler, is styled after Manfred von Richthofen and speaks with a German accent. His car is a car/airplane hybrid called the Crimson Haybaler, able to fly for short distances in ground effect. His name is a portmanteau of Red Baron and Blue Max.

Penelope Pitstop is the lone female driver, dressed in a 1930s racing costume. She is a Southern belle who drives the Compact Pussycat.

The Voice Cast

The voice work is uniformly strong. John Stephenson voices Blubber Bear, Paul Winchell voices Clyde, Don Messick voices Gravel Slag, Daws Butler voices Big Gruesome, and Janet Waldo voices Penelope Pitstop. Dave Willock provides the narration, talking about the race while interacting with the racers.

Each character gets a distinct vocal performance, from the Slags’ caveman gibberish to the Gruesomes’ monster growls. The voice actors clearly enjoyed the material, and their energy carries the show.

The Format and Its Legacy

Wacky Races was produced by Hanna-Barbera in association with Heatter-Quigley Productions. It was the only non-game show produced by Heatter-Quigley, which had built its reputation on game shows. The show was originally intended as a game show in which children would guess the winner of each race, with correct answers earning prizes. CBS dropped those elements during development, leaving the final product as a straight animated comedy.

The show ran for seventeen 20-minute episodes, each containing two 10-minute segments. That format meant the pacing was tight, with each episode delivering two complete races back-to-back. The syndication run from 1976 to 1982 kept the show alive for another decade, giving it a longer shelf life than its brief network run might have suggested.

The series spawned numerous spin-offs featuring Dick Dastardly over the years, with the most similar in theme being Fender Bender 500, released in 1990. In 2017, the series was remade as a reboot first released on Boomerang’s video on demand service. It subsequently aired on Cartoon Network in 2018.

Why It Works

The show’s strength comes from its absurdity. The cars are genuinely ridiculous, and the races are full of pratfalls, near-misses, and spectacular failures. There is no real strategy beyond sheer momentum and luck, which makes every race unpredictable.

The characters are memorable because they are exaggerated to the point of caricature. Dick Dastardly is a perpetual loser who cannot win, no matter how much he tries. Muttley is a hound who laughs at his master’s failures. Penelope Pitstop is a lady who can hold her own against any man. The Slags are funny because they are simple-minded and completely unbothered by the chaos around them.

The humor is broad and physical, which makes it accessible to children. But there is enough adult wit hidden in the jokes to keep parents entertained. The show also benefits from its setting. The racers compete in various road rallies throughout North America, which allows for a wide range of terrain and obstacles.

The show is also a product of its time. It was made in 1968, and some of its jokes are dated. The portrayal of women, for example, is limited to Penelope Pitstop, who is defined by her appearance and her driving skills. The show also relies heavily on stereotypes, which is par for the course for animation of that era.

Where It Falls Short

The show is not perfect. Some of the races drag, particularly when the pacing slows down to let the setup breathe. The humor can also become repetitive, since the same gags are used again and again across the season.

The show is also limited by its budget. The animation is solid but not groundbreaking, and the sets are simple. The cars are the stars, not the backgrounds. This is not a flaw in itself, but it does mean the show is best appreciated for what it is: a silly, fast-paced comedy about people in absurd machines.

The show was the only non-game show produced by Heatter-Quigley.

The show’s influence is undeniable. Its characters have remained recognizable decades later. Dick Dastardly, Muttley, and the Slag Brothers have appeared in numerous spin-offs, proving that the show’s appeal extends beyond its original audience.

The Verdict

Wacky Races is a charming, chaotic relic of Saturday morning television. It is not a masterpiece, but it is consistently entertaining. The show is best enjoyed for what it is: a silly, fast-paced comedy about people in absurd machines.

The humor is broad, the characters are memorable, and the races are always fun to watch. It is not a show that demands much attention, but it rewards the viewer who is willing to surrender to its nonsense.

The show earns a 7.3 out of 10.

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