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‘WeCrashed’ Catches Jared Leto and Anne Hathaway’s Toxic Romance, Not the Numbers Behind WeWork’s Collapse

A biographical drama about WeWork's rise and fall, starring Jared Leto and Anne Hathaway, reviewed.

By mitch·7 min read
A man and woman stand together before an empty corporate office, evoking the rise and fall of a business.

“WeCrashed” is a strange beast. It is a biographical drama about the rise and fall of WeWork, and it treats the subject with a lightness that borders on absurdity. Jared Leto plays Adam Neumann, the founder of the coworking empire, while Anne Hathaway plays Rebekah Neumann, his wife and partner in crime. Together they run a company that grows from a single shared office into a global brand valued at $47 billion in under a decade, then crashes to earth after losing $40 billion in value in a matter of months.

The show is based on the Wondery podcast “WeCrashed: The Rise and Fall of WeWork,” and it follows the same broad outline: the Neumanns build a business that is both wildly successful and deeply fraudulent. They raise billions from investors who are told the company is changing the world, even as the couple lives a lifestyle of private jets, luxury homes and lavish parties. The show is not interested in the financial mechanics of the collapse. It is interested in the relationship at the center of it all.

Trailer, via Apple TV.

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Leto and Hathaway Carry the Weight

Leto is the engine of the series. He plays Adam Neumann as a charismatic messiah figure, a man who believes he is building a new world and cannot understand why anyone doubts him. His performance is large and theatrical, full of hand gestures and inspirational speeches. Hathaway plays Rebekah as his loyal sidekick, a woman who supports her husband’s delusions even as she sees the cracks in the foundation. She is the one who holds the family together, the one who organizes the fundraisers and the one who cleans up the messes.

The chemistry between the two is the reason the show works at all. Their scenes together crackle with tension and affection in equal measure. Leto’s Adam is a con artist with a genuine belief in his own power, while Hathaway’s Rebekah is a woman who has made a calculated choice to stay with him. The show understands that the story of WeWork is ultimately a personal story, and it leans into that reading.

A Comedy-Drama That Isn’t Funny

The problem is that “WeCrashed” is billed as a comedy-drama, and the comedy half is largely absent. There are jokes, yes, but they land with a thud. The show tries to make the Neumanns ridiculous, but it never quite succeeds in making them laughable. Instead, it makes them tragic, which is not the intended effect. The show wants you to laugh at the Neumanns, but it keeps showing you the consequences of their actions, and those consequences are not funny.

The show also struggles with scale. It covers years of WeWork’s growth in eight episodes, which means the timeline moves fast. Characters are introduced, given a few lines, and then forgotten. The show is at its best when it slows down and focuses on a single moment, like a dinner party or a board meeting. It is at its worst when it rushes through a merger or a fundraising round with a montage.

The Love Story at the Center

The show’s stated goal is to tell the love story at the center of the WeWork saga. That is a bold claim, and it is partially true. Leto and Hathaway are clearly in love, and the show captures the way that love can blind a person to the truth. Rebekah stays with Adam even when he is lying to everyone else, and the show suggests that her loyalty is both admirable and destructive. The show does not condemn her, which is a rare thing in a story about fraud.

But the love story is not enough to carry the weight of the whole narrative. The show wants to be about the downfall of a business, but it keeps circling back to the Neumanns’ marriage. This is a story about a couple, not a story about a company. The show never fully explains how WeWork raised so much money or why so many people believed in it. It simply shows the aftermath, the empty offices and the broken dreams.

The Missing Mechanics of Fraud

The show’s biggest failure is its refusal to explain the mechanics of the fraud. WeWork raised billions from investors, and the show never tells us how. It mentions an internally produced prospectus, but it does not show the documents or the process. It mentions a valuation of $47 billion, but it never explains what that number is based on. The show treats the fraud as a fait accompli, a done deal that we are meant to accept without question.

This is a mistake. The show is trying to make a point about greed and hubris, but it fails to show the audience exactly how the fraud was committed. Without that context, the story feels hollow. We are asked to believe that Adam Neumann convinced thousands of people to invest billions of dollars, but we are never shown how he did it. The show trusts its audience to know that fraud is bad, but it does not trust its audience to understand how it happens.

A Short Season With a Long History

The show is short. Eight episodes, each running about an hour. That is a deliberate choice, and it works in some ways. The show moves quickly, and it does not waste time on filler. But it also means that the show is constantly rushing to get to the next scene, the next crisis, the next revelation. The pacing is frantic, and it can be exhausting.

The show also suffers from a lack of diversity. The Neumanns are the only characters who get significant screen time, and the supporting cast is mostly white and wealthy. The show is about a company that promised to change the world, but it does not show the world. There is no sense of the working class, no sense of the people who were affected by WeWork’s collapse. The show is about the rich, and it is not interested in the rest.

The Final Crash

The show ends with the crash, but it does not end with a bang. It ends with a whimper. The Neumanns are left with nothing, and they are forced to confront the reality of what they have done. The show does not offer a happy ending, and it does not offer a moral lesson. It simply shows the wreckage and lets the audience draw its own conclusions.

The show is a mixed bag. It is ambitious, and it is well acted, but it is also deeply flawed. It is a story about a couple who built a monster and could not control it, and it is a story about a company that promised the future and delivered only ruin. The show is not a great piece of television, but it is a worthwhile one. It is a reminder that the people who run our companies are not gods, and that their mistakes cost real lives.

Key Facts Box

  • Creator: Drew Crevello, Lee Eisenberg
  • Network: Apple TV+
  • First aired: March 17, 2022
  • Last aired: April 21, 2022
  • Seasons: 1
  • Episodes: 8
  • Lead actors: Jared Leto, Anne Hathaway, Kyle Marvin
  • Valuation: $47 billion in 2019
  • Loss: $40 billion in under a year

Schedule Table

Episode Date
1 March 17, 2022
2 March 24, 2022
3 March 31, 2022
4 April 7, 2022
5 April 14, 2022
6 April 14, 2022
7 April 21, 2022
8 April 21, 2022

Production Details

  • Based on: The Wondery podcast “WeCrashed: The Rise and Fall of WeWork”
  • Genre: Drama, comedy-drama
  • Runtime: ~1 hour per episode
  • Country: United States

The show is not a great piece of television, but it is a worthwhile one. It is a reminder that the people who run our companies are not gods, and that their mistakes cost real lives. It is a story about a couple who built a monster and could not control it, and it is a story about a company that promised the future and delivered only ruin. The show is not a great piece of television, but it is a worthwhile one. It is a reminder that the people who run our companies are not gods, and that their mistakes cost real lives.

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