AEW All In: London Review: A 255-Minute Night at Wembley, Scored 7.6/10

AEW All In: London runs 255 minutes. That is 4 hours 15 minutes, and it is the first thing to know about the film. The show is a professional wrestling pay-per-view produced by All Elite Wrestling, staged on August 30, 2026, at Wembley Stadium in London, England. It is also promoted as All In London. The published critical score is 7.6/10. That number is about right, and the reasons are worth setting out.

Trailer, via All Elite Wrestling.

Wembley Stadium, August 30, 2026

The date is the spine of the thing. All In 2026 is not a tour, not a weekly television episode, and not a documentary about a wrestling company. It is one night in one building, and the film asks you to sit with it for 4 hours 15 minutes. That length is a choice, and it is the choice that shapes every other judgment here.

Wembley Stadium is the setting, and the scale of the place is what the film keeps returning to. A stadium show has a particular problem on camera: the crowd is enormous, but the ring is small, and the film has to decide which one it is about. AEW All In: London mostly picks the ring. That is the right call for a wrestling film, and it is also why the runtime feels longer than the card.

Kenny Omega and Will Ospreay at the top

The cast is the draw, and it is a deep one. Tyson Smith plays Kenny Omega. William Ospreay plays Will Ospreay. Mercedes Varnado plays Mercedes Mone. Danielle Paultre plays Willow Nightingale. Nicholas Massie and Matthew Massie play Nick Jackson and Matt Jackson. Adam Copeland plays Adam Copeland. Jason Reso plays Christian Cage. Kyle Fletcher plays Kyle Fletcher. Kazuchika Okada plays Kazuchika Okada. Konosuke Takeshita plays Konosuke Takeshita. Manuel Alfonso Andrade Oropeza plays Andrade El Idolo.

That is a roster, not a supporting cast, and the film treats it that way. The names above are the reason the ticket sold, and the film knows it. What it does with them is more uneven than the list suggests.

Two world titles and the Owen Hart winners

The structure is built on two matches. AEW All In: London features AEW Men’s and Women’s World Championship matches, and both were earned by the winners of the 2026 Owen Hart Foundation Tournament. That is the whole architecture of the night. Two tournament winners get two title shots on the biggest show of the year, and everything else on the card sits around that fact.

It is a clean idea, and the film benefits from it. A pay-per-view with a single organizing principle is easier to follow than one that is a pile of unrelated feuds, and this one has a principle. The trouble is that a principle is not a story. Knowing why two people are in a match is not the same as caring who wins, and the film does not always close that gap.

A 255-minute film of a live event

Here is the hard part. AEW All In: London is 255 minutes. For a film, that is not a runtime, it is a commitment. The published critical score of 7.6/10 reflects a show that is good for long stretches and indulgent for others.

The film does not cut the event into a tighter version of itself. It presents the night, and the night has dead spots. Every stadium wrestling show does. The question a film has to answer is whether the dead spots are worth what surrounds them, and for most of AEW All In: London the answer is yes.

What the cast does with the room

Mercedes Varnado as Mercedes Mone and Danielle Paultre as Willow Nightingale carry the women’s side of the card. Kazuchika Okada and Konosuke Takeshita are the kind of performers who make a long match feel short.

Adam Copeland playing Adam Copeland and Jason Reso as Christian Cage are the veteran presence, and the film leans on them for the crowd reaction as much as the action. Kyle Fletcher and Andrade El Idolo round out the card.

The Massie brothers, Nicholas and Matthew, as Nick and Matt Jackson, are the connective tissue. Tyson Smith as Kenny Omega and William Ospreay as Will Ospreay are the headliners, and the film positions them that way from the first frame.

The numbers behind the night

The figures that define AEW All In: London are few and they are firm. The event was produced by All Elite Wrestling and staged at Wembley Stadium in London, England, on August 30, 2026. The film runs 255 minutes. Its published critical score is 7.6/10. Both AEW World Championship matches on the card were earned by the winners of the 2026 Owen Hart Foundation Tournament. Nothing about the night is in dispute; the argument is only about what the film does with it.

How the night was ordered

Where the 255 minutes go

The film’s biggest failure is not a match. It is patience. AEW All In: London trusts the audience to sit through 255 minutes, and it earns that trust maybe two-thirds of the time. The rest is the cost of filming a live event rather than making a film about one.

That is a real distinction, and it matters for how this should be judged. A film of a live event is a record. A film about a live event is an argument. AEW All In: London is mostly the former. It gives you the night as it happened, and it asks you to find the shape yourself.

The score, and what it means

7.6/10. That is the published critical score, and it is the score this review gives. AEW All In: London is a strong night of wrestling that is a long film. The two world title matches, built from the 2026 Owen Hart Foundation Tournament, give it a spine. The cast gives it a face. The 255-minute runtime gives it a problem.

What matters most here is not the score. It is that the film of the 2026 edition shows both why Wembley works as a setting and what it costs. The runtime is the argument against filming all of it.

A viewer who knows that going in will get more out of AEW All In: London than one who presses play cold.

KEY FACTS
– Runtime: 255 minutes (4 hours 15 minutes)
– Date: August 30, 2026
– Venue: Wembley Stadium, London, England
– Promotion: All Elite Wrestling
– Published critical score: 7.6/10

AEW All In · AEW All In London · Kenny Omega · Wembley Stadium · Will Ospreay · Wrestling PPV