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Brandi Carlile’s ‘Give Up the Ghost’ Turns Grief Into Rock That Holds Its Ground

A review of Brandi Carlile's 'Give Up the Ghost,' a ghostly rock record of grief, defiance, and strange hope.

By mitch·4 min read
A woman stands silhouetted before a foggy window, bathed in ghostly blue light.

Brandi Carlile’s third album, Give Up the Ghost, is a ghost story dressed as a rock record. It moves between grief, defiance, and a strange kind of hope, and it does so without ever losing its footing. This is a record about letting go, and about the stubborn refusal to stop believing.

Opening With a Warning

“Looking Out” opens the album with a warning shot. Carlile sings about the weight of carrying too much, and the song’s slow build sets the tone for everything that follows. It is a quiet anthem, patient and deliberate, and it earns its place as the record’s mission statement.

“Dying Day” picks up the pace. It is a song about the end of a relationship, and it lands with a sharp, bitter edge. The guitar work here is fierce, and the lyrics are blunt about the pain of ending things. It is a strong start, and it signals that this is not a gentle record.

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Pride and Joy

“Pride and Joy” is a slower, sadder affair. It is a love song that knows the wound it describes, and it plays that knowledge for what it is worth. The melody is simple, almost folk-like, and Carlile’s vocal performance carries the weight of the lyric. It is a solid track, though it does not reach the heights of the songs around it.

“Dreams” follows, and it is one of the album’s best moments. It is a song about chasing something bigger than yourself, and it finds the right balance between ambition and humility. The chorus is big, and the arrangement builds to a satisfying peak. It is the kind of song that rewards repeat listens.

“That Year” slows things down again. It is a reflective song about a particular moment in time, and it captures a feeling of nostalgia that feels earned rather than sentimental. The production is clean, and Carlile’s voice cuts through with clarity. It is a good track, though it does not demand attention the way the best songs on the record do.

Caroline and the Middle Stretch

“Caroline” is a standout. It is a song about loss, and it handles that loss with a mix of tenderness and anger that feels genuine. The song builds from a quiet piano line into a full-band swell, and the shift is effective. It is the emotional center of the album, and it deserves its place near the front.

“Before It Breaks” is a quieter, more contemplative track. It deals with the idea of a relationship reaching its limits, and it does so with a restrained, almost fragile quality. The song is not flashy, but it is well constructed. It holds the record together without drawing attention to itself.

“I Will” is a defiant song. It is about refusing to give up, and it has a raw, urgent energy that sets it apart. The chorus is anthemic, and the band plays with a sense of purpose. It is a strong track, though it shares some of the middle stretch’s identity problem.

“If There Was No You” is a brief, tender interlude. It is a short song, and it works best as a palate cleanser. It is not a major highlight, but it serves its function.

Oh Dear and the Middle Portion’s Close

“Touching the Ground” is a more straightforward rocker. It is about finding your footing after a fall, and it has a swagger that the earlier songs lacked. The guitar work is prominent, and the rhythm section locks in. It is a fun track, though it is less memorable than the album’s peaks.

“Oh Dear” is a quieter, more intimate song. It deals with the aftermath of a breakup, and it has a delicate, almost fragile quality. The song is not flashy, but it is well constructed. It closes the middle portion of the record on a note of sadness.

The Story and the Album’s Arc

“The Story” is a narrative song. It tells a story, and it does so with a clear, direct voice. The song is not a standout, but it fits the album’s overall arc. It is a solid track, though it is overshadowed by what comes before and after it.

“Turpentine” closes the record with a burst of energy. It is a song about breaking free, and it has a driving rhythm that feels cathartic. The song is the album’s final push, and it leaves the listener wanting more.

The Verdict

Give Up the Ghost is a strong album. It is uneven, but its highs are high enough to justify the whole. The record’s best moments — “Dreams,” “Caroline,” “If There Was No You,” “Turpentine” — are among Carlile’s finest work, and they carry the weaker stretches. It is a record about loss and resilience, and it finds the right balance between the two.

Key Facts
– Artist: Brandi Carlile
– Album: Give Up the Ghost
– Release type: Album
– Track count: 13
– Total runtime: 46 minutes

Ranking the Tracks

  1. “Caroline”
  2. “Dreams”
  3. “Turpentine”
  4. “I Will”
  5. “Before It Breaks”
  6. “Looking Out”
  7. “Pride and Joy”
  8. “Dying Day”
  9. “That Year”
  10. “If There Was No You”
  11. “Oh Dear”
  12. “Touching the Ground”
  13. “The Story”
The recordGive Up the Ghost Brandi Carlile13 tracks · 47 min
  1. Looking Out4:19
  2. Dying Day3:33
  3. Pride and Joy4:21
  4. Dreams3:32
  5. That Year3:36
  6. Caroline3:36
  7. Before It Breaks3:57
  8. I Will4:10
  9. If There Was No You2:39
  10. Touching the Ground3:17
  11. Oh Dear2:51
  12. The Story3:58
  13. Turpentine2:58
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