
Melvins and Napalm Death Split Sludge and Noise on Savage Imperial Death March
A brutal death-metal statement and a loose rock record collide in Savage Imperial Death March.

Records we have scored.

A brutal death-metal statement and a loose rock record collide in Savage Imperial Death March.

A record of heavy weight and short songs, wherein a band struggles to escape the repetition that binds it.

A record of old songs made new again, a jest and a solemn statement, wherein a wall is both broken and built anew.

A heavy, patient record from a band who refuse to rush, blending sludge with guest guitarist Dylan Carlson.

Mike & the Melvins' quick, messy new record refuses to slow down, mixing fast riffs with short, unfinished tracks.

A review of the Melvins' 1994 album Prick, a deliberate, heavy grind of slowcore rock that rewards patience and punishes skimmers.

The Melvins' covers album Everybody Loves Sausages turns nostalgia into a live wire, with standout tracks like 'In Every Dream Home.'

A vast acoustic work wherein the Melvins strip their own songs of electric noise, testing whether power remains when volume departs.

Two bands, two tracks, one record built on patience over flash. A split review of Melvins' Cry and Boris' Funny Equals Pain.

Jello Biafra and The Melvins deliver a sharp, noisy punk-metal hybrid that rewards repeated listens.
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