
Arctic Monkeys’ Debut Still Sounds Fresh, 21 Years On
A look back at Arctic Monkeys' debut album Whatever People Say I Am, That's What I'm Not, a raw, witty document of Sheffield's youth.

Records we have scored.

A look back at Arctic Monkeys' debut album Whatever People Say I Am, That's What I'm Not, a raw, witty document of Sheffield's youth.

A heavy record that never stops moving, a vast and sprawling work of sonic ambition.

Mastodon's prog-metal opus Blood Mountain reviewed: 12 tracks, 68 minutes, and a 22-minute finale worth the wait.

Nap Eyes take a big swing on Snapshot of a Beginner, moving past lo-fi bedroom sound toward fuller arrangements, with a verdict of 7.6.

A crawl through rage, grief, and survival on IDLES' third album CRAWLER — a flawed masterpiece of endurance.

IDLES' Ultra Mono turns fury into music, refusing to please anyone. A worthy, uneven record of anger and art.

A record of distance and dread, wherein Arctic Monkeys reach ever farther from home, though not all their wanderings prove worth the telling.

A review of Mastodon's The Hunter, a heavy, confident album that trades sprawling concept for direct riffage.

Wolf Alice's My Love Is Cool refuses to pick a lane, moving between pop, grunge, and psychedelia across twelve tracks.

A review of Wolf Alice's Blue Weekend, a pop record that dresses itself as rock, weighing its highs against its lows.
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