
Zuma: Neil Young & Crazy Horse Remember How to Enjoy Themselves
A grim chronicle of Zuma, wherein Young and Crazy Horse cast off their former melancholy for a fiercer, nobler tumult of sound.

Records we have scored.

A grim chronicle of Zuma, wherein Young and Crazy Horse cast off their former melancholy for a fiercer, nobler tumult of sound.

A wild, revisited highway of rock: Dylan's electric 1965 record, dared and never forgotten, holds a lofty rank among great works.

A soundtrack record from Pink Floyd, sitting between two grander works, weighed song by song for what it truly gives.

Nevermind, that record of noise and hook, still raises the spirit after every terrible year has passed over it.

The Gaslight Anthem's History Books weighs memory against time passing, trading youth for a quieter, plainer sound.

A band tries to burn down its own reputation. Get Hurt reaches hard for change without fully landing the effect. Score: 62 out of 100.

A record wherein Stevie Wonder utters all he knows at once, of love, poverty, and joy, all within one vast sitting.

A look at Pink Floyd's Meddle, the record where a distant echo points toward the band's next great work.

A 1970 record of grand titled pieces and outside voices, its reach vast, its hold in doubt, three songs the true prize within.

A grim wake of a record: Neil Young's Tonight's the Night, ten songs of uneasy grief, opened and closed by the same tune.
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