
Jake Gyllenhaal and Anne Hathaway’s chemistry can’t save a romance that mistakes cynicism for depth
Love & Other Drugs (2010) review: Gyllenhaal and Hathaway sell pharma romance, but Zwick's film dodges its own best ideas. Score: 5.5/10.

Every film we have scored, from 1980s horror to what is in cinemas now.

Love & Other Drugs (2010) review: Gyllenhaal and Hathaway sell pharma romance, but Zwick's film dodges its own best ideas. Score: 5.5/10.

Curtis Hanson's L.A. Confidential turns James Ellroy's novel into a tight 1997 crime classic. Casting, plot, Oscars, and why it still holds up.

Escape Plan (2013) review: Stallone and Schwarzenegger share top billing for the first time in a prison thriller with one great idea and a 4.9/10 score.

Yorgos Lanthimos's Poor Things, starring Emma Stone as Bella Baxter, won the Golden Lion and four Oscars. A plot breakdown, cast, box office, and review.

Guillermo del Toro's Hellboy II: The Golden Army review: Ron Perlman, Luke Goss, troll market, Oscar makeup, $168.3M gross, and why the sequel still works.

A review of Orphan (2009), Jaume Collet-Serra's psychological horror film starring Vera Farmiga, scoring 4.2/10 for wasted talent and a weak twist.

Robert Eggers' The Lighthouse, explained: Pattinson and Dafoe, the 1.19:1 frame, the Poe origin, the mermaid, and why it defies genre.

Death Proof review: Tarantino's Grindhouse slasher stalls in a long Austin bar crawl, then roars to life in a Tennessee car chase with real stunt work.

First Man review: Damien Chazelle's quietest, hardest film, with Ryan Gosling as Neil Armstrong. A grief drama that happens to contain a Moon landing.

Enchanted (2007) review: Amy Adams as a Disney princess in modern Manhattan, with Patrick Dempsey, James Marsden and Susan Sarandon. Score: 7.5/10.

Ben Affleck's 2010 Boston heist thriller The Town, reviewed: Renner's Oscar-nominated turn, the Fenway finale, and why Claire stays a plot device.

Disney's 1953 Peter Pan flies brisk and bright at 77 minutes, but its caricature and sagging middle keep it from landing. A look at the film.
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