
Chronicle: A Smart, Mean Little Movie That Loses Its Nerve
Chronicle review: Josh Trank and Max Landis turned a $12–15 million debut into $127 million. A smart, mean character study that loses its nerve.

Every film we have scored, from 1980s horror to what is in cinemas now.

Chronicle review: Josh Trank and Max Landis turned a $12–15 million debut into $127 million. A smart, mean character study that loses its nerve.

Southpaw review: Jake Gyllenhaal's boxer loses everything, Forest Whitaker rebuilds him, and the script never earns its redemption. A 5.7 out of 10.

Transcendence review: Wally Pfister's Johnny Depp A.I. drama wastes a strong cast on a lecture. Score: 4.2 of 10.

A review of Martin Brest's 1998 film Meet Joe Black, starring Brad Pitt and Anthony Hopkins. A three-hour romance that stretches patience thin.

Wind River review: Taylor Sheridan's 2017 crime thriller with Jeremy Renner and Elizabeth Olsen, and what it gets wrong about murdered Indigenous women.

A review of Spielberg's 2011 animated adventure The Adventures of Tintin, praising Andy Serkis's Haddock while noting the hollow center of its hero.

In Bruges review: McDonagh's 2008 debut sends two hit men to Belgium, with Colin Farrell and Brendan Gleeson. Sharp dialogue, uneven shape. 6.7/10.

Moneyball review: Brad Pitt and Jonah Hill turn sabermetrics into drama as Billy Beane rebuilds the Oakland A's on a $41 million budget.

A review of Alex Proyas's 2009 thriller Knowing, starring Nicolas Cage as an astrophysicist decoding a time capsule's deadly numbers.

Five Feet Apart review: a CF romance with a strong premise, excellent Haley Lu Richardson, and a script that can't stop explaining itself. Score: 5.3/10.

A review of Martin Scorsese's The Aviator, starring Leonardo DiCaprio as Howard Hughes, covering its 170-minute runtime, awards, and flaws.

The Danish Girl review: Eddie Redmayne and Alicia Vikander shine in a well-acted 2015 drama about a marriage, but the history never holds up.
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