
A Child of My Own: Alberdi’s Genre-Blurring Inquiry Earns Its Doubt
A woman pretends a child is coming amid despair; Alberdi's tale moves between staged scene and documentary inquiry to the last.

Every film we have scored, from 1980s horror to what is in cinemas now.

A woman pretends a child is coming amid despair; Alberdi's tale moves between staged scene and documentary inquiry to the last.

A street torn from its place, a family that must remain one or die. David Mitchell's tale of dread, tenderness, and no true peril.

A young creature alone on an island. A mining plan that never learns. PAW Patrol: The Dino Movie gives the team a bigger stage.

A strange one-night rule, a real romance the film cannot support, and two leads deserving far better than this wavering tale.

Statham settles a score on a cargo ship in Mutiny, a tale of framing and vengeance whose grim tone weighs down its forceful blows.

Grief, a coast town, and a solemn bond: this tale of Leah and Axel is fair of face but never sinks deep beneath its own surface.

A vast crime tale of coast towns and empire's fall, with Yash in double part — Toxic promises much yet fails to arrive.

A man, his dog, and a grim companion drift through a familiar tale of ruin — beautiful, sad, and never quite alive.

A giant orange unicorn, a captive family, and a mind sinking into song and blood. Buddy is a strange, wild curiosity worth a loud watch.

A magical compass sends Tom and Jerry through time, yet the chase yields only noise and mess, forgetting its own title pair.
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