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‘Click’: A Good Idea Buried Under Too Much Padding

A man buys a remote that fast-forwards his life, missing out on his daughter's growth and his own humanity.

By mitch·2 min read
A man grasps a remote while a blurred family scene streaks with fast-forward lines upon his chamber walls.

Adam Sandler stars as Michael Newman, a man who finds a remote that lets him fast forward through his own life. He can skip meetings, holidays, even decades. It sounds funny. It isn’t.

Trailer, via YouTube Movies.

Michael Newman’s Job

Newman works in advertising. His marriage is failing. His daughter is growing up. The remote promises relief, but it delivers something closer to punishment.

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Fast Forwarding Life

The setup is clever. Watching a man erase years is easy to picture. The comedy doesn’t land as often as it should.

Slow Middle Stretch

The film drags badly in the middle. Sandler’s character learns the lesson about missing out on life too late, but the movie spends too long getting there.

The Remote’s Rules

The rules around the remote matter less than they should. Some scenes feel like filler rather than payoff.

The Ending

The ending tries to tie everything together. It mostly fails to land.

Supporting Players

None of the supporting cast gets enough room to make the story better.

A Familiar Problem

Click isn’t bad. It’s just familiar. It follows the same path as other Sandler comedies about men who need to slow down.

Running Order

Scene Time
Newman buys the remote Early
Newman watches his daughter grow up Late
Newman tries to return the remote Final

“I don’t want to miss this.”

That line sums up the film’s problem. It’s sincere, but it arrives too late to save the movie around it.

The Verdict

Click has a good idea buried under too much padding. The remote concept deserves more care than this film gives it.

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