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Edward Scissorhands Review: Burton’s Fairy Tale of Loneliness Earns Its Sad Ending

A strange, beautiful fable about loneliness, conformity, and the danger of being different, starring Johnny Depp.

By mitch·3 min read
A man with scissors for hands stands alone before a decaying mansion at twilight.

Tim Burton’s Edward Scissorhands is a strange, beautiful fable about loneliness, conformity, and the danger of being different. Released in 1990, it stars Johnny Depp as Edward, a man born with scissors for hands who lives alone in a decaying mansion until a kind woman named Peg Boggs (Dana Carvey) brings him into her suburban neighborhood.

Trailer, via HD Retro Trailers.

Edward’s Hands

Depp plays Edward as a gentle soul trapped in a body that terrifies everyone around him. His scissor hands are both a gift and a curse, allowing him to sculpt snow into perfect designs while also making simple tasks impossible. The design is pure Burton: whimsical, unsettling, and unforgettable.

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The Suburbs

Peg’s family takes Edward in, and he quickly becomes a sensation. He trims hedges into elaborate shapes, creates fantastical topiary gardens, and even cuts hair with remarkable precision. The townspeople adore him at first, but their affection is shallow and temporary.

The Turn

As Edward grows closer to Peg’s daughter Kim (Winona Ryder), the community turns against him. Gossip spreads, and the once-welcoming neighbors become hostile. Burton tracks this shift with a steady hand, letting the tension build slowly until the final act erupts in tragedy.

Visual Style

Burton’s direction is precise and atmospheric. The film moves between bright, candy-colored suburbia and the dark, gothic mansion where Edward lived alone. The contrast is deliberate, and it underscores the film’s central theme: that the world outside is often uglier than the darkness inside.

Music and Mood

Danny Elfman’s score is a highlight. It swells during the romantic scenes, thins out during the quiet ones, and shifts to a darker tone during the film’s tragic conclusion. The music never overstates the emotion, but it always supports it.

Comparing the Two Leads

Character Actor Role
Edward Johnny Depp Man with scissors for hands
Peg Boggs Dana Carvey Kind woman who rescues Edward

The film also features Vincent Price in a brief role as Edward’s deceased creator, a nod to Burton’s lifelong love of horror cinema. Price’s presence adds a layer of nostalgia and dread, anchoring the film’s fairy-tale logic in something darker.

The Ending

The film’s conclusion is devastating. Edward flees the town, chased by angry neighbors, and Peg watches him disappear. The final image is a solitary figure walking away, leaving behind a world that cannot accept him. It is a sad ending, but it feels earned.

Here is what the film gets right:

  • The contrast between Edward’s isolated mansion and the bright suburbs
  • The way the townspeople’s affection turns to fear
  • The performance of Johnny Depp as a man who can’t help himself
  • The Danny Elfman score that matches every scene
  • The tragic ending that refuses to soften the truth

Edward Scissorhands is a masterclass in visual storytelling. Burton trusts his audience to understand the film’s emotions without spelling them out. The result is a movie that feels timeless, even three decades later.

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