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Hercules Turns a Myth Into a Big, Loud Action Comedy — and Mostly Gets Away With It

A review of Hercules, a loud, funny action movie that treats a Greek myth as pure entertainment.

By mitch·3 min read
A mighty hero smashes a colossal statue amid a fiery battlefield.

Hercules is a big, loud, and occasionally funny action movie built around a Greek myth that has nothing to do with the original story. The film is based on the legend of Hercules, but it treats the material as pure entertainment rather than history or tragedy. That decision defines everything about it.

Trailer, via Animation Compendia.

Opening Scene

The film opens with a prologue that explains how the hero came to be. His mother is a mortal woman, his father a god, and he grows up with immense strength that he cannot control. The movie then jumps forward to adulthood, where Hercules lives as a soldier of fortune in Greece. He is played by a performer who brings physical comedy to the role, and his performance carries much of the film’s energy.

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Stheno

The villain is a king named Stheno, played by a character actor known for playing villains. She wants power and plots against Hercules, setting the film’s central conflict. Their scenes together are the most focused moments in the picture, even if the plot around them is thin.

“She wants power and plots against Hercules, setting the film’s central conflict.”

Supporting Cast

The supporting cast includes a love interest, a young boy who follows Hercules around, and a chorus of comic characters. These roles exist to provide comic relief and emotional weight, and they succeed at both. The film knows what it wants to be, and it rarely pretends otherwise.

Set Pieces

The action sequences are the film’s strongest feature. Hercules fights armies, crushes statues, and defeats monsters in set pieces that are energetic and well-choreographed. The visual effects hold up surprisingly well for a 1997 production, and the action scenes remain the reason audiences return to this movie.

Comedy

The humor is broad and often silly. Some jokes land, some do not, and the film does not care either way. This is a movie that wants you to laugh at a god who cannot stop eating and a sidekick who gets into trouble constantly. It is not subtle, and it does not pretend to be.

Climax

The climax delivers what the audience expects: a final battle, a twist, and a resolution that ties the story together. It is not a deep ending, but it is a satisfying one. The film ends on a note of triumph, and that note feels earned given the journey it has taken the viewer through.

Final Word

Hercules is a fun, occasionally clever action movie that respects neither the gravity of Greek mythology nor the intelligence of its audience. It is a product of its era, and it plays like it. The action is the draw, the comedy is the hook, and the villain is the engine. Nothing about it pretends to be anything more than a pleasant diversion.

The film’s flaws are real, but they are also forgivable. It is not trying to be a masterpiece, and it does not need to be one to entertain. The action holds up, the villain is memorable, and the spirit of the enterprise is infectious.

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