
Wolf Alice’s My Love Is Cool Refuses to Pick a Lane — and Mostly Gets Away With It
Wolf Alice's My Love Is Cool refuses to pick a lane, moving between pop, grunge, and psychedelia across twelve tracks.


Wolf Alice's My Love Is Cool refuses to pick a lane, moving between pop, grunge, and psychedelia across twelve tracks.

A review of Wolf Alice's Blue Weekend, a pop record that dresses itself as rock, weighing its highs against its lows.

A solemn record of loss, wherein grief is disguised beneath hooks before being laid bare across ten tracks.

A Foo Fighters record built upon disco and fire, a bold reinvention that mostly delivers upon its own promise.

Mastodon's Marrow Deep honors fallen brother Brent Hinds with mournful, direct metal; a fitting, heavy tribute.

A record wherein the Foo Fighters take up the songs of the Bee Gees, and make them their own.

A record of eight cities, each a station upon the highway of sound, wherein the concept exceeds the songs themselves.

Foo Fighters split metal and pop on In Your Honor, eighteen songs of ambition and uneven execution, a flawed masterpiece.

A look back at Foo Fighters' 1999 album There Is Nothing Left to Lose, a rock record about loss and defiance.

A review of The War on Drugs' seventh album, I Don't Live Here Anymore, a tighter, more focused record than before.
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