
Lost in the Dream Review: The War on Drugs Finally Found Their Voice
A band's finest hour, wrought from rock, folk and soul, wherein a dream is lost yet found again.


A band's finest hour, wrought from rock, folk and soul, wherein a dream is lost yet found again.

A look back at The War on Drugs' debut album Wagonwheel Blues, weighing its highs like Arms Like Boulders and A Needle in Your Eye against its weaker stretches.

A loud, messy debut of youth and volume, wherein a young artist seeks to make pop music feel like a summer drive.

A demo album of old songs, rough and tender, that proves the voice of a young man carries weight even in a bedroom studio.

A rock opera disguised as a bedroom record, Car Seat Headrest's 1 balances intimacy and ambition across sixteen tracks.

A record of extremes — quiet, tender moments sit beside bursts of noise, rewarding patience and punishing skimming alike.

A record of seven songs, each one doing its job, about a young man getting out of a difficult phase of his life.

Car Seat Headrest's sprawling double album 6 balances ambitious rock opera with raw emotional depth, mostly delivering on its grand ambitions.

A record of a teen mind, warts and all, wherein long tracks pay off and shorter ones merely fill space.

A vast record of a nervous young man, holding pop, rock, and long passages within a single sprawling hour.
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