
The Clash Review: 34 Minutes of Raw, Angry Punk Still Hit Hard
The Clash's 1977 debut is a raw, urgent punk document of London's discontent — 34 minutes of speed, spit, and social fire that still resonates.


The Clash's 1977 debut is a raw, urgent punk document of London's discontent — 34 minutes of speed, spit, and social fire that still resonates.

Prince's 1978 debut is an uneven but dazzling display of a 19-year-old's talent. We review the sprawling album, its best tracks, and its promise.

Stevie Wonder's 1987 solo album 'Characters' is a flawed, ambitious statement. Read our track-by-track review, from the classic 'Skeletons' to the filler.

Marvin Gaye's 1963 pivot finds the singer embracing a hit-making formula with confidence, yielding radio-ready soul classics like 'Stubborn Kind of Fellow.'

The Beach Boys' 1963 album Surfer Girl marks Brian Wilson's first solo production, blending surf pop with studio craft. A transitional record worth hearing.