
Why the Rolling Stones Never Bettered the Murky, Ragged Brilliance of Exile on Main St.
A raving look at Exile on Main St., the Rolling Stones' rough, forceful masterpiece of rock, country, and blues, ruled a perfect ten.


A raving look at Exile on Main St., the Rolling Stones' rough, forceful masterpiece of rock, country, and blues, ruled a perfect ten.

A solemn review of a record whose long hours conceal but a few true treasures amid much idle drifting.

Neil Young & Crazy Horse's 1994 record of grief, a plain, heavy work that sits inside loss instead of explaining it.

A record of steady guitar and long repetition, wild and loud, wherein a band lets each song run as long as it will.

Neil Young brings back Crazy Horse for a record that reaches for a loud old sound but finds the studio working against it.

A doomed alien singer, a band of guitar spiders, eleven songs burning out before an audience — the record that made Bowie a star.

A record of noise, daring, and habits nobody else would touch — eleven tracks that still play like a warning.

A farewell record of mood, not song, wherein Pink Floyd leaves much unsaid, and calls it, at last, an ending.

A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.

Neil Young's Freedom opens soft and ends loud with Rockin' in the Free World, a record that holds every side of his sound together.

A look back at Pink Floyd's The Wall, a sad tale of a man's solitude, wall raised stone upon stone through spirit and sound.

A grim, deliberate record of grief and war, from its opening dream of peace to its final dread of fire — a solemn, uncommon work.
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