
A Scrapbook of Outtakes, Demos, and Rare Tracks, Not a Recommendation
A scrapbook of Ozzy's outtakes, covers, and oddities — dull filler padded with lengthy tracks, yet a few gems stand out.


A scrapbook of Ozzy's outtakes, covers, and oddities — dull filler padded with lengthy tracks, yet a few gems stand out.

A brief look back at the very best of Ozzy Osbourne's early solo work, a small record with a large job to prove.

A review of Ozzy Osbourne's 1995 album Ozzmosis, a short, atmospheric record of dread and heavy guitars.

A loud, messy, and mostly brilliant record, Ozzy's debut after Black Sabbath, with one dark track that divides opinion.

A live broadcast from Kemper Arena, where Ozzy Osbourne's classic songs roar anew before a crowd that knows every word.

A live snapshot of Ozzy Osbourne's 1981 Montreal performance, anchored by Randy Rhoads's guitar work.

Paradise Lost's Draconian Times blends crushing doom metal with sticky melodies, earning its status as a landmark album.

A look back at Wreckless Eric's 1978 album, a sharpened collection of older songs about British life and artistic redemption.

Foo Fighters split metal and pop on In Your Honor, eighteen songs of ambition and uneven execution, a flawed masterpiece.

A look back at Foo Fighters' 1999 album There Is Nothing Left to Lose, a rock record about loss and defiance.

A review of Metallica's self-titled 1991 album, weighing its highs ('Sad But True,' 'Nothing Else Matters') against its lesser moments.

A heavy record of speed and weight, wherein Metallica define thrash metal with a title track that remains a warning.
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