
Bowie’s Comeback Album Lands Mostly Between Statement and Comfort Zone
A review of David Bowie's comeback album The Next Day, weighing its highs against its weaker middle tracks.


A review of David Bowie's comeback album The Next Day, weighing its highs against its weaker middle tracks.

A review of David Bowie's 1997 album Earthling, a strange, ambitious record about sound, identity, and fear.

A look back at David Bowie's 2011 'Toy,' a curious collection of early Sixties originals, now reviewed anew.

A review of David Bowie's 1983 pop crossover effort Let's Dance, ranked track by track.

A review of David Bowie's 1976 album Station to Station, bridging glam rock and the Berlin Trilogy.

A review of David Bowie's Aladdin Sane, a record of fame, paranoia, and the United States, scored 8/10.

A dark, heavy record of a man selling his soul for fame, wherein the title track alone justifies the whole undertaking.

A review of David Bowie's Diamond Dogs, a record torn between dystopian concept and pop hooks, weighed and judged.

A solemn record of reverence, wherein homage unto Gandhi and Dylan doth weigh heavy upon the songs of Patti Smith.

A record of endurance, a mission statement of voice, where people have power and dreams cross paths.

A solemn record of loss, memory, and time's passage, wrought by Patti Smith in her hour of grief.

A look back at Patti Smith's 1998 record Ask The Angels, an ambitious but uneven album about faith, doubt, and the music that bridges them.
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