
Squeeze Still Sounds Like a Band Learning to Be a Band, and That’s the Appeal
A review of The Velvet Underground's Squeeze, a pale imitation of Loaded that never quite finds its own voice.


A review of The Velvet Underground's Squeeze, a pale imitation of Loaded that never quite finds its own voice.

A review of The Complete Matrix Tapes, forty-three live songs by The Velvet Underground, including rare tracks and full versions of classics.

A strange beast of covers and originals, this Velvet Underground album struggles to live without its departed scribe.

A review of The Great Banana, a landmark 1994 reissue of the Velvet Underground's 1967 debut, ranking it among the finest albums of its era.

The Clash's second album traded raw punk for studio polish. A 1978 record caught between ambition and energy, with 'Stay Free' as its classic core.

Combat Rock is the Clash's odd, confident commercial breakthrough — a tense mix of radio hits, jagged experiments, and political fury that still rocks.

Prince's 1979 self-titled album review: a confident step forward with standout funk tracks, but ballads stall the momentum. An 8/10.

Bob Dylan's 1973 outtakes album is a cobbled-together stopgap of covers, but his voice makes it a fascinating time capsule. We rank the tracks.

Bob Dylan & The Band's legendary 1967 basement sessions, finally released in 1975, capture a loose, essential moment in rock history. Reviewed.

Joni Mitchell's 1988 album is an uneven mix of guest stars and dated production, with standout tracks amid weaker moments.

Joni Mitchell's 1991 album Night Ride Home marks her return to acoustic intimacy, with sharp lyrics and a quiet confidence. Our track-by-track review.

Joni Mitchell's 1998 album Taming the Tiger is a quiet, mature work that rewards patience with intricate detail and subtle melodies. Our review rates it 7/10.
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