
Bram Stoker’s Dracula: A Beautiful, Uneven Spectacle Carried by Oldman
Coppola's Bram Stoker's Dracula (1992) review: Oldman's dual performance, Eiko Ishioka's Oscar-winning costumes, and a romance that doesn't hold.


Coppola's Bram Stoker's Dracula (1992) review: Oldman's dual performance, Eiko Ishioka's Oscar-winning costumes, and a romance that doesn't hold.

A review of The Godfather Part III: Pacino's guilty Michael, Andy Garcia's arrival, the Vatican deal, and the Duvall and Sofia Coppola casting fallout.

A review of Coppola's Apocalypse Now: Willard's river journey to Colonel Kurtz, the Kilgore air assault, and a production that nearly broke everyone.

A review of The Godfather Part II (1974), Coppola's dual-era sequel and prequel that won Best Picture and still sets the standard for sequels.

Paramount bought Puzo's novel for $80,000, fought its own director over Brando, and still made the film that defined the Corleones.
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