
Prick’s Dark Stage Show Turns Industrial Punk Into Halloween Party Music
A record of theatrical industrial terror, wherein a man named McMahon screams and shouts as if possessed by spirits of the night.


A record of theatrical industrial terror, wherein a man named McMahon screams and shouts as if possessed by spirits of the night.

The Cure's All Is Yellow, Hot, Hot, Hot. mixes old hits with new songs, scoring a 9/10 for its peaks, even if some tracks feel like filler.

A quiet, tender record of confession and faith, Nick Cave's Boatman's Call weighs stillness against the weight of being alive.

A grim chronicle of tender prey: Nick Cave and his seed of tormenters confide their sins upon the mercy seat.

A look back at Nick Cave's 'The Good Son,' a dark, theatrical album that rewards patience despite its flaws.

A record of a band's return to its old form, loud and direct, weighed by its own ambition.

A live double-album of The Cure's most beloved tracks, performed with ritualistic precision across eighteen tracks.

A look back at The Cure's Seventeen Seconds, a confident gothic statement that established the band's dark, romantic sound.

A solemn record of dread and despair, wherein The Cure forego the light and dwell amid shadows and sorrow.

A record of contradiction: a dark, ambitious work wherein ambition and discord contend within one soul.

A review of The Cure's 1996 double album Wild Mood Swings, weighing its strong singles against its weaker filler.

A grim tale of Paradise Lost's strange departure from metal into shadowy, synth-wrapped gloom, with two songs worth remembering.
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