
Clipse’s Debut Still Rides on One Hit From 2002
A review of Clipse's 2002 debut Lord Willin', tracking its highs—Grindin' and Ma, I Don't Love Her—and its weaker middle stretch.


A review of Clipse's 2002 debut Lord Willin', tracking its highs—Grindin' and Ma, I Don't Love Her—and its weaker middle stretch.

A record that sits between hip-hop and soul, mostly succeeding, with Aubergine standing out among its tracks.

A review of Armand Hammer's BLK LBL, an abstract hip-hop record that mostly succeeds despite some thin filler.

A record of power, protest, and pride, wherein Nas seeks to prove his neighborhood rules the city.

A tribute to Black women pioneers in hip-hop and beyond, told across twenty tracks of solemn purpose.

A Tribe Called Quest's 1990 debut blends hip-hop wit and jazz sensibility across fourteen tracks, a masterwork of craft and humor.

Tyler, The Creator's DINОSAUR mixes fame, fatherhood, and dense hip-hop production into a sprawling, ambitious fourth studio album.

Drake's 11th album HABIBTI trades bravado for moody R&B, but uneven writing and filler drag down a cohesive, hazy soundscape. A 5.9/10.

Our review of Drake's 2010 debut 'Thank Me Later,' a confessional album about fame's hidden costs, blending hip-hop with Auto-Tuned vulnerability.

Drake's 23-track album 'For All the Dogs' is a bloated, repetitive mess with a few highlights like 'First Person Shooter' and '8am in Charlotte.'
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