
Hostel at 20: Eli Roth’s Provocation Has One Good Idea and No Interest in Examining It
Eli Roth's Hostel (2006) turns from crude backpacker comedy into a dungeon torture machine. A review of its craft, casting, and one good idea.


Eli Roth's Hostel (2006) turns from crude backpacker comedy into a dungeon torture machine. A review of its craft, casting, and one good idea.

Michael Bay's 13 Hours: The Secret Soldiers of Benghazi is watchable but flattens real men into symbols, says this 4.8/10 review.

A review of John Carney's Begin Again, starring Keira Knightley and Mark Ruffalo — a music drama with one great idea and a hero it forgives too easily.

A biopic gives Tenzing Norgay back his full story, his humanity, at TIFF — husband, father, climber, dreamer.

Vacation (2015) review: Ed Helms leads the Griswolds to Walley World in a 99-minute road trip that piles on gags but forgets the joke.

Transporter 2 review: Jason Statham drives Louis Leterrier's 2005 sequel through Miami with a good engine and no steering. Score: 5.6 of 10.

Hail, Caesar! review: the Coen brothers bury a kidnapping plot under studio-fixer texture, with Josh Brolin, George Clooney and a deep 1950s cast.

A deep dive into Martin Brest's Scent of a Woman: Al Pacino's Oscar-winning turn, the tango, the Jaguar prank, and why the film still divides critics.

Harmony Korine's Spring Breakers reviewed: four college girls rob a restaurant, meet Alien in St. Petersburg, and chase a neon American Dream.

Wes Anderson's The Darjeeling Limited sends three estranged brothers across India by train, and the itinerary falls apart. Our review: 6.7/10.

A review of M. Night Shyamalan's The Happening (2008), the plant-toxin thriller that made $163 million and still failed to explain itself.

Meg 2: The Trench review: Jason Statham returns for a bigger shark and a smaller script, as a mining conspiracy sinks Ben Wheatley's sequel.
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