
OMERTA Review: J Balvin and Ryan Castro Keep It Short and Earn Every Second
Balvin and Castro's OMERTA pairs two tracks of family loyalty into a six-minute record that proves their bond is the real story.


Balvin and Castro's OMERTA pairs two tracks of family loyalty into a six-minute record that proves their bond is the real story.

A record of twenty songs, each a tribute unto a rhythm of old, wherein Karol G honors the past without dressing it anew.

Childish Gambino's Atavista balances slow, heavy tracks with brief sketches, earning an 8/10 score for its ambition.

A gentle, unhurried record about noticing the strange in the familiar, told with deadpan wit.

A record of a man once nobody, now a name of weight — a return to form, though not without its lesser moments.

A band of two spirits struggles within one song, heavy guitar battling soft voice, upon Koi no Yokan.

A heavy requiem that fails to raise the dead, eleven tracks of noise that never quite find their soul.

A record of construction and ruin, wherein eleven songs pass swiftly and one stands forth above the rest.

A review of The War on Drugs' seventh album, I Don't Live Here Anymore, a tighter, more focused record than before.

A record of extremes — quiet, tender moments sit beside bursts of noise, rewarding patience and punishing skimming alike.
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