
‘Kylie’: Ten Hooks, Two Hits, One Modest Debut
A debut of borrowed hooks and bright production, a record of modest success upon its own terms.


A debut of borrowed hooks and bright production, a record of modest success upon its own terms.

A review of Kylie Minogue's Rhythm of Love, her 1990 album with Stock Aitken Waterman, weighing its highs against its filler.

A pop machine runs at full speed: ten tracks, thirty-two minutes, aiming only at the biggest possible hit. Mostly it succeeds.

A review of Kylie Minogue's Kiss Me Once, a pop album with a strong front half and a weaker back half.

A review of Kylie Minogue's 1997 album Impossible Princess, weighing its highs ('Drunk,' 'Jump') against its weaker tracks.

A look back at Kylie Minogue's 2000 album Light Years, a confident pivot back toward disco-pop.

Katy Perry's Smile is a bright, dance-heavy comeback record that mostly delivers on its promise of joy, despite shallow lyrics.

Katy Perry strips her biggest hits down to guitar and voice on PRISM (Acoustic Sessions), a record that mostly succeeds.

A review of Katy Perry's 2008 pop album One of the Boys, weighing its hits against its filler.

A pop record of urgency and desire, eight tracks that refuse to play it safe, each song earning its place.

A look back at Sabrina Carpenter's 2016 debut album EVOLution, weighing its ambition against its teen pop past.

A review of Sabrina Carpenter's emails i can't send, a pop record about sending texts you can't take back.
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